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MediaDecember 16, 2024

Announcing the Vince Geddes In-Depth Journalism Fund

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A new fund has been launched to provide freelance writers with grants to work on ambitious, in-depth journalism.

The Vince Geddes In-Depth Journalism Fund, supported by the Auckland Radio Trust (ART), has been established to provide much-needed financial and editorial support to talented freelance journalists, empowering them to produce in-depth, high-quality journalism in an increasingly constrained media landscape.

The fund will support freelance journalists to produce stories that take time, research and intensive reporting, with the editorial and structural support of The Spinoff – where the completed features will be published. 

Structure of the fund

In 2025, the Vince Geddes In-Depth Journalism Fund will allocate $30,000 to support freelance journalists. The fund will be distributed over two intakes, offering three grants of $5,000 each (a total of six grants per year). These grants will be paid 60% on confirmed selection and 40% on final delivery and will cover writing fees and associated costs like travel, research and data collection, ensuring the awardees can focus on producing quality work with fewer financial barriers.

Application process

Freelance journalists will be invited to apply for the grant before the deadlines detailed below by completing a Google form and attaching a one-page pitch outlining their proposed project. 

The pitch should clearly articulate:

  • The story’s focus, including a draft headline
  • Why it matters
  • Its relevance to contemporary Aotearoa
  • The intended approach (key interviews, sources and research) 
  • Applicants should also provide a breakdown of any costs associated with their proposal, ensuring the funds are allocated effectively and transparently

A panel of senior editors from The Spinoff, chosen for their editorial expertise and commitment to journalistic excellence, will assess the submissions. This panel will consider each pitch based on criteria including originality, importance of the topic, relevance to contemporary Aotearoa, potential impact, the applicant’s track record, and the feasibility of the proposed budget. Please note that unfortunately, we’re not able to give individual feedback on submissions. 

Editorial support and publication

The Spinoff will play a key role in supporting the awardees throughout the production of their stories. Journalists will receive editorial guidance from The Spinoff, including detailed feedback, sub-editing, fact-checking and legal advice (where necessary) to ensure their work meets the highest journalistic standards. This ongoing editorial partnership will help freelancers refine their stories, develop their reporting and produce polished, publication-ready pieces.

Once completed, the features will be published on The Spinoff’s website, reaching a wide and engaged audience, and will also be included as an audio-recorded podcast as part of Behind the Story.

Timing & deadlines

First intake 2025

Monday December 16: Submissions for first intake 2025 opens

Friday January 31, 2025: First intake 2025 closes

Friday February 14, 2025: First intake 2025 awardees notified and announced

June 2025: Successful submissions to be delivered with ongoing consultation with The Spinoff editor

‘If you regularly enjoy The Spinoff, and want it to continue, become a member today.’
Toby Manhire
— Editor-at-large

Second intake 2025

Monday June 9, 2025: Submissions for second intake 2025 opens

Friday July 11, 2025: Second intake 2025 closes

Friday July 25, 2025: Second intake 2025 awardees notified and announced

November 2025: Successful submissions delivered with ongoing consultation with The Spinoff editor

APPLY HERE

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Image: Tina Tiller
Image: Tina Tiller

MediaDecember 16, 2024

To all the TV news we lost in 2024

Image: Tina Tiller
Image: Tina Tiller

Bulletins and beloved current affairs programmes fell like flies in an agonising year for screen journalism.

You don’t know what you don’t know. The great vanishing of news and current affairs from New Zealand television is a tragedy not simply, or even principally, because of the many hours of compelling viewing that are no longer. They leave in their wake also a parade of voices unheard, stones unturned, things unknown. 

Thankfully many of our best journalists have found new homes in the wider news media that survives. Most haven’t, though, and who can say what stories they won’t now tell, whether that be a political scandal or an insight into a corner of Aotearoa rarely seen?

Television was far from alone in being affected: we lost community newspapers, magazines distressed, digital outlets, ourselves included, were forced to pare back. But the deepest cuts were in the world of screen. And so, in the spirit of celebrating what they produced and mourning what might have been, this is the television journalism we lost in 2024.

Newshub at 6pm 

Samantha Hayes and Mike McRoberts present Newshub Live at 6

The hammer fell in February. Thirty five years after the news landscape in New Zealand was changed forever with the launch of TV3, built around the nucleus of an innovative, puckish, sometimes punkish news operation, it was done. Warner Brothers Discovery, owners of the channel these days called Three, couldn’t make the numbers work and was shutting it all down. 

This was a disaster – for employees, for audiences, for the plurality of coverage intrinsic to a functioning liberal democracy. In one blow, the number of journalists and the volume of journalism was slashed. There was a reprieve of sorts: the news at 6pm continued, produced by Stuff under contract. They could only take on a minor slice of the Newshub team but, against the odds, that small team has performed wonders to deliver a quality bulletin, developing talent and keeping both politicians and the TVNZ newsroom on their toes. Who knows what next year could hold – a shorter nightly bulletin with a studio interview as the final act of the hour, at once filling a gap and carving out a real point of difference with 1News?

(One more thing: in recent days a very, very welcome announcement – the archive of those 35 years of news and current affairs will be taken into the care of the saintly archivists at Ngā Taonga Sound & Vision.)

Te Ao Māori News

Te Ao Māori News presenter Peata Melbourne.

The other bookmark for the infernal, emaciating 2024 arrived just last week, with news that the Te Ao Māori News 4.30pm bulletin is coming to an end, after a two decade run dating back to the founding of Māori Television, now Whakaata Māori. It’s reported that 27 jobs will go.

Liam Ratana lays out the context, and what next for the channel, here

Sunday

The Sunday team say goodbye (Screengrab: TVNZ)

Agenda-setting, probing, meticulous, and almost invariably spellbinding: Sunday was the cream of the investigative journalism crop. Its end in the middle of 2024 marked the disappearance of the form from primetime TV. The stories – so many stories!

Fair Go

Just a few years shy of its 50th birthday, that bastion of New Zealand consumer journalism, that wellspring of so much talent, that scourge of bullshit artists and rip-off merchants everywhere met its maker. The scoundrels of Aotearoa have slept sounder since.

Newshub and TVNZ daytime bulletins

In the distant mists of time, by which I mean earlier this year, there were news bulletins during the day and in the later evenings on remote buttons 1 and 3. Now all we have is 6pm (and, hanging in there, TVNZ Breakfast with cornflakes, thankfully). 

Prime News First at 5.30

It had changed its name to Sky Open by the end, but whatever. Yes, this was in large part a re (pre?) packaged version of the 6pm bulletin, but it had the mana and tender assurance of Eric Young so it was something very special. Reportedly Eric Young is off having a lovely time with his family now, but that won’t do for the rest of us. Bring back Eric Young and bring back Eric Young now. 

AM Show

Chlöe Swarbrick and David Seymour would get stuck in on a Monday morning and the breakfast show would keep fizzing through the week. Like so much on the channel across the years they were always trying something new, having a go. 

The unnamed Three 7pm show

Ryan Bridge had spent months preparing for a new, unnamed nightly current affairs show – it never materialised, getting cancelled in the Newshub obliteration before it had begun. Fortunately Bridge, a superb broadcaster, has been scooped up by Newstalk ZB, but there is still a sense of loss for what might have been.

Newshub Nation 

A groaning hole has opened up in the Saturday mornings of political tragics. The loss of Newshub Nation, a decades long institution in various guises, got too little attention, such was the flurry of decimation around it. We’re much poorer for the lack of it, though – fewer politicians being grilled, fewer investigations launched, and an absence of a competitive prod for the good people across at Q+A. Much missed.