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Mad (1)

MediaNovember 23, 2021

When can Barry Soper dine al fresco again?

Mad (1)

The veteran reporter has been asking one question and we finally have the answer.

Barry Soper loves al fresco dining. To sit outside with the breeze in your hair and the sun on your skin, dining. It’s the peak of human experience, what us mere mortals were put on this cursed earth to strive for. After spending the majority of lockdown in Auckland, Soper travelled to Wellington to rejoin his colleagues in the parliamentary press gallery.

On November 8, as eased restrictions were announced for Auckland allowing groups of up to 25 people to gather outside, Soper got straight to the point.

“Has cabinet given any consideration to al fresco dining?” he asked the prime minister at that day’s 1pm press conference. What followed was a short back-and-forth about specific considerations given to al fresco dining, concluding with the prime minister confirming that al fresco dining would not be available under the new restrictions.

In his column that week, Soper criticised the prime minister’s visit to Auckland, particularly the fact that she didn’t visit any retail stores. “Nor did she get anywhere near the hospitality sector,” he wrote, “which I’d argue at the very least should be allowed to open for al fresco dining given groups of 25 are now allowed to congregate outside.”

Yesterday, having apparently not eaten in the two-week interim, hungry Soper was back in the Beehive theatrette, asking about his favourite pastime. “You talked a couple of weeks ago about al fresco dining,” he began. Why allow hairdressers and beauty salons to test the vaccine pass this week and not restaurants, specifically restaurants that offer al fresco dining?

Jacinda Ardern responded with an explanation around the risk factors involved within different sectors including limited workers, limited customers, and ability to use vaccine certificates. She said al fresco dining was looked at but was not a straightforward option. Soper followed up with another question about restaurants’ testing capacities. Ardern clarified her answer and then moved to take questions from other reporters, but not before Soper asked another question (unrelated to al fresco dining).

Five minutes later, Soper tried to ask another question “about Auckland”. Ardern responded “Barry, if you don’t mind, I’m just going to come to a few people who haven’t had a chance and then I’ll double back to you.” He persisted, and got a “Barry, quite a few people need to go, so I just want to be fair”.

He insisted it was just “a quick question” and in return Ardern insisted “Barry, just a little more patience and then I’ll double back”.

The prime minister answered one other question before Barry and his one question were back. “Barry, I’m going to ask for a little decorum. Jessica, then Barry.”

As Jessica asked her question, Soper could be heard muttering from his seat. He left the press conference soon after “to make his deadlines”, and that night published an op-ed with the headline ‘For Jacinda Ardern, press conferences seem to be all about media control’. He never did get to ask his one question (after his three questions) but one thing the prime minister certainly can’t control is Soper’s love for al fresco dining.

When can Barry Soper dine al fresco again?

Technically, Barry Soper can dine al fresco right now. He’s in Wellington, where restaurants are open and operating. Soper could dine inside if he wanted. But Soper isn’t simply asking for himself, he’s asking for the people of Auckland and the people of New Zealand. Barry Soper is the people.

In June, Heather du Plessis-Allan (married to Soper) wrote an “Insider Guide to Melbourne” and in that, said “eating al fresco is brilliant”. When Soper asks about al fresco dining, he’s asking for his wife, his fellow Aucklanders, and of course, himself, who will inevitably return to the city but hopefully when it’s in full fresco mode.

When can Barry Soper dine al fresco again?

Even in Auckland, Soper could dine al fresco right now by simply eating outside. But eating in one’s backyard, no matter how large, is no substitute for the real thing. And the real thing, for media personalities over the age of 40 in Auckland, is Prego on Ponsonby Road. All going well, Prego will presumably open its doors for the first time in three months at 12pm on Friday, December 3, offering indoor and outdoor seating options.

Barry Soper better be there, dining al fresco.

Keep going!
New-Look-2

MediaNovember 21, 2021

Introducing (and explaining) The Spinoff’s new look – and new site

New-Look-2

The Spinoff’s creative director Toby Morris explains our new site, new app, new look and the evolution of our design philosophy.

So, you might have noticed The Spinoff site is looking more than a little different today. We have new colours, a new layout, new fonts, a new approach to imagery and an evolved logo, all the result of a long project that we’re excited to finally share with you.

I’m a big believer that what you say is important, but how you say it is too. Design sets a tone and sends a message – which at worst screams “we don’t really care”. 

At The Spinoff, we care. I feel lucky to work somewhere that values the importance of communicating visually. Our editorial designer Tina Tiller has a unique style and her voice is allowed to shine. We run comics, data visualisations, animated science explainers, and work with a wide range of illustrators. Today we take the next step with this new design. We want to keep evolving and growing – showing you who we are not just in our stories but in how we present them. 

new site design
Early vibes mood board, from Studio Akin

It’s been two-and-a-half years since we started talking to Auckland design team Studio Akin about a new look and a new site. We needed to evolve how we presented ourselves, and the first step in doing that is figuring out your voice – who you are, who you aren’t. To me, The Spinoff is about the mix of high and low, of serious and silly. We run detailed articles by academics about legal ramifications of law changes alongside the funniest, silliest, most heart warming recaps of reality TV. We interview the country’s leaders at the same time as ranking the country’s chip flavours.

So, we moved towards colour and personality, an eclectic mix of styles, and the radical idea that maybe every image doesn’t have to be a rectangle. We wanted to keep the things that feel uniquely us – like Tina’s distinctive design energy and sense of humour, and make it feel like we’re growing up a little, getting a little sharper.

New colour palettes – still lots of blue and green, but with some surprising extras

From there we took Studio Akin’s vision and worked with Translate Digital to build it into a reality. The Spinoff is a huge platform with a lot of moving parts, and it’s one thing to get it looking pretty, another task entirely to make it all work seamlessly. You’ll see on the right of our desktop site, for example, a new and easier way to navigate the latest live updates, and within stories a much improved ability to find related stories.

You’re now never too far from jumping into the latest news, or browsing our most popular content. Videos and podcasts have become a much bigger part of what we do since the last site was built, so we’ve drastically improved how you can explore those too. Huge thanks to Translate, and to Elisa Rivera who has run the project from our side, for making it all work. (Fingers crossed, let us know if you spot any of the inevitable early bugs).

A new logo! Design by Studio Akin, animation by Luke Toth

One of the most visible elements: we have a new, evolved logo! Like kids at Christmas peeking at the presents, we couldn’t wait – over the last few months we’ve been slipping it into a few things already and no one seems to have freaked out. It’s not radically different from Joel Kefali’s original, or Simon Chesterman’s evolution – just a bit smarter, a bit sleeker. Check out the merch store for some new mugs and pencils with the new logo on them if you’re the type of person who likes to express their cultural affiliations through merch (I get you.)

New typefaces – Söhne, and Domaine, both by Klim Type Foundry

Probably most importantly for your reading experience, we have new fonts. Kris Sowersby from Klim Type Foundry is a New Zealander creating absolute world-class gold-standard typefaces, and we’re so happy to be able to use such perfect Kiwi-made fonts on the site. We’ve made the body copy of articles bigger, cleaner and clearer, and we love having the beautiful serif Domaine pop up around the site in moments of contrast.

Our own custom emojis

We also have a brand new set of custom emojis to use in our imagery. Some are universal, some are very specific to us: in our office a crab means “ooooh/yes/tell me more” and a snake means “naaaah/nope/ew” so you’ll find crabs and snakes in there. You’ll also find our beloved office dogs, Mad Chapman’s iconic cup microphone, a super shaka, a big yikes, a sad cowboy, and several variations on a world on fire, a dumpster fire and a rubbish bin on fire. It’s like a 2021 time capsule.

A new approach to imagery

Then, to connect all that together, we have a new approach to the images we make to go along with stories. Lots of bold colours, new frames and strong shapes. Like a chef with a new menu, it’s going to be fun to see what comes out as we start to use this.

So, it’s all new and exciting, and we hope you like it. No doubt something we haven’t thought of will pop up and we’ll be tweaking as we go – it’s a big site – but our newish CTO Ben Gracewood will be working alongside the Translate team to iron out any kinks. 

Lastly – some thanks. Huge cheers to Studio Akin for the original vision, and Translate Digital for bringing that vision to life. Thanks to Tina Tiller whose energy and style has informed the look and feel of The Spinoff like no one else, Duncan Greive for recognising the value in investing in design, Eli for keeping the whole project on track and to all the editors and writers who’ve tirelessly tested and tweaked and fed back on a million little details. And Daylight Creative, our content studio, for coming in late and hot to help shape the copy and design of some of the key furniture.

It’s great to finally be able to share it with you. We hope you love it as much as we do.