Zendaya as Rue in the HBO show Euphoria (Additional design by Archi Banal)
Zendaya as Rue in the HBO show Euphoria (Additional design by Archi Banal)

OPINIONPop CultureMarch 4, 2022

What Euphoria gets right and wrong about drugs – and the problem with getting ‘clean’

Zendaya as Rue in the HBO show Euphoria (Additional design by Archi Banal)
Zendaya as Rue in the HBO show Euphoria (Additional design by Archi Banal)

Sarah Helm, executive director of the NZ Drug Foundation, is one of many New Zealand fans of the US teen drama Euphoria. So how does she feel about the way it depicts drug use?

Contains spoilers for the season two finale of Euphoria.

This week, fans of the US TV drama Euphoria, me included, were glued to our screens for the agonising finale of season two. Hearts in mouths, we watched as lovable good/bad-boy Fezco saw his brother Ashtray be shot repeatedly by a team of armed police, and messed-up bad/good-boy Nate was driven by his raging internalised homophobia to confront his newly out father Cal.

All of this drama left Rue’s statement about staying “clean” for the rest of the year as something of a sidebar, a surprising turn given that her addiction issues have been the main storyline of much of the show so far.

Zendaya’s portrayal of the attractive and magnetic Rue – and arguably also Angus Cloud as Fezco, Dominic Fike as Elliot, and other characters – have led to accusations that Euphoria glamorises drug use. The trouble with these takes is that they miss the point that art often reflects reality – albeit, in Euphoria’s case, a distorted, hyper-real version. In the United States right now, thousands of Americans are dying each month due to an opioid epidemic that is spurred on by the inhumane and racist war on drugs, a poorly regulated pharmaceutical industry, a privatised health system, and more specifically, the drug fentanyl entering the black market. Powerful synthetic opioids like fentanyl, and its analogues, are causing alarming numbers of drug deaths in communities across North America and Europe.

And so in that context, it makes sense that a US TV show features a young lead character who forms an addiction to prescription pharmaceuticals and other illicitly acquired substances, and is then introduced to fentanyl. Still, this is drama, not documentary, and for all its attempts at verisimilitude, Euphoria can’t stop itself romanticising drug use at times. For those who understand the pain inflicted by fentanyl, perhaps the most disturbing line in the entire series so far is the one uttered by Rue in season one: “There is not a thing on planet Earth that compares to fentanyl,” she says, “except Jules.” It’s a good line but, to me, comparing the romantic and sexual allure of a character’s girlfriend to the devastating harms of opioid addiction crosses the line into glamourising drug use.

New Zealand audiences experience Rue’s storyline in a very different way to those watching in the US. These are not our stories. Thankfully, we haven’t had a fentanyl crisis here – although my colleagues and I live in fear of this possibility, as NZ is grossly under-prepared. Our support options here are very different to those portrayed in the series, including alcohol and other drug practitioners who work as part of school support teams.

One of my biggest issues with Euphoria’s depiction of drug use is the way it perpetuates some aspects of the failed war on drugs, using stigmatising language that New Zealanders are now used to hearing from American politicians and popular culture. While we empathise with Rue, we still hear that she is striving to be “clean”, implying that as a drug user she is “dirty” and that a pure body is the only acceptable state. In fact, many people who use treatment services chose to reduce their use of drugs rather than abstain forever. For some, this is an acceptable outcome and often results in drug harm being significantly reduced. For Rue, and some real-life drug users, abstinence is the only option. But this clean/dirty dichotomy, one of the many myths arising from the war on drugs, does not help anyone.

It is also worth noting that most people who use drugs do not experience addiction. In fact the UN estimates about 90% of people who use drugs do not experience serious harm.

So what does Euphoria get really right on drug use? For one, the stories of both Rue and Fezco demonstrate an important truth: that underpinning the more harmful aspects of drug use can be trauma, parental loss and unmet social and health needs. Meanwhile, we see other characters consume drugs and alcohol with a range of impacts – from pure hedonistic pleasure, through to acute incidents and emergencies. The acute incidents are probably much more dramatic than most people’s real experiences, but even showing drug use without it automatically being linked to the myth of “one hit and you’re hooked” is progress.

If you’re a parent, should you be worried that your kids are watching Euphoria? To be honest, I’d have some concerns – fortunately, my own kids are too young to be interested. But our team at the Drug Foundation agree that the best solution isn’t banning your kids from watching the show, but having honest, open and calm ongoing conversations with them about drug use. After all, they will encounter other portrayals of drug use in television, social media and film, and likely encounter it in the real world too. Help them build critical thinking skills about what they see on screen – watch an episode with them, and ask them questions about what they saw, how that matches up with what they see in their real life, and what parts of the character’s behaviour they do or don’t like. One thing you should try to avoid is over-reacting, because then it’s clear you are not someone they can talk to about drug or alcohol use.

Find more information and support at thelevel.org.nz and drugfoundation.org.nz.

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Image: Archi Banal
Image: Archi Banal

Pop CultureMarch 4, 2022

Rhys Darby takes Murray to sea in Our Flag Means Death

Image: Archi Banal
Image: Archi Banal

Alex Casey chats to Rhys Darby about taking the plunge into his lead role in Our Flag Means Death, a vaguely historical workplace comedy set on a pirate ship. 

Rhys Darby is serving his best pirate impression, all the way from his lounge in Los Angeles. “It’s not making it all about ‘aaarrarrgh’ and ‘me hearrrties’ and ‘trrrreassssure’,” he says, raising a bent index finger towards the Zoom camera in the universal motion for “I have a hook hand”. “It’s actually about making it about the mundane – a workplace comedy about people who might be on a pirate ship, and might be sailing for weeks on end without anything actually happening.”

He’s describing the premise of Our Flag Means Death, the new Taika Waititi-produced comedy series arriving on Neon today. Darby stars in the lead role as Stede Bonnet, a real life former aristocrat who swaps gentry for piracy because his wife, according to Wikipedia, was too much of a nag. “He just decided to go and live another life,” explains Darby. “We’ve all thought about doing that, but this guy actually went and did it, and he chose the most ridiculous life to get into.”

For a guy who has done some pretty weird things in his career, Rhys Darby admits that 2021 was one of the weirdest. He filmed both celebrity unboxing show The Masked Singer NZ and Our Flag Means Death, meaning a lot of time spent in a studio, either staring at a sensual singing pavlova or rocking back and forth on a replica pirate ship. “Going into the year I didn’t think I would be doing either of those things,” he says. “People often say ‘what’s your next thing?” and I say ‘I don’t know’ – I’m this far into my career and I still don’t have things racked up.”

Although he may never know which role is around the corner, it is easy enough to look back at Darby’s career and see a few casting trends. Whether it is Murray in Flight of the Conchords, Jim Carrey’s office mate Norman in Yes Man or Stede Bonnet in Our Flag Means Death, Darby clearly has a penchant for playing hapless managerial figures. “I just love people who are out of their depth in a position of authority, and trying to get away with it,” he says. 

His pre-showbiz history has a lot to do with this fascination. Having been an air force cadet in his teens, then joining the army at 17, Darby has a lot of experience dealing with strict hierarchies. “I’d been in uniforms since the age of 12 so, for me, I was always surrounded by these authoritative figures,” he explains, “but I never quite believed them when they were telling me to do things, I was always questioning – ‘how does he know that?’ – but I’d keep my mouth shut.” 

When he started working part-time jobs at university, he saw that same dynamic play out time and time again. “I just loved all the people that were managing these positions I was in,” he says. “And then I discovered that’s something I was very capable of portraying.” 

Murray holds a band meeting in Flight of the Conchords

Another consistency with Darby is that, no matter how odd the series or movie that he’s appearing in, he will always find a way for his performance to be even odder. It is true of Psycho Sam in Hunt for the Wilderpeople, Anton in What We Do in the Shadows, and even his panelist persona in The Masked Singer, where he would repeatedly appear to be deeply confused by the format and guess with confidence that every celebrity was Dwayne the Rock Johnson. 

“I think of myself as a disruptor of sorts,” he says in a sly way that I can’t tell is a joke or not. “Throw me into something and, if I don’t fit, then it’s probably a good fit.” 

Our Flag Means Death is a good fit. The fish out of water (or in the case, on water) comedy series focuses much more on silliness than swashbuckling, where the captain of the ship is more interested in reading books than raiding for booty. With appearances from Taika Waititi, Fred Armisen, Leslie Jones, and Games of Thrones’ Kristian Nairn and Joel Fry, it evokes another off-kilter star-studded sea-faring adventure from the mid-90s. “There’s definitely an element of Muppet Treasure Island, because we’ve got some really wacky characters in this.

“We were able to bring to the table very interesting people and cast it well, with both odd comedic and great dramatic acting types,” he says. “Even if you watched it on mute, you’d know there were some odd things going on.” 

Darby admits that he knew very little about pirate lore beyond the likes of Muppet Treasure Island before setting sail on the project. “Both Taika and I agreed that we weren’t really that into pirates,” he says. “It was more of a cheesy Halloween thing that we heard people doing in America.” His knowledge base prior to making Our Flag Means Death was limited to the Pirates of the Caribbean franchise, he says, and “birthday cards as a five and six year-old.”

Fred Armisen and Rhys Darby on a boat. Image: Youtube

Perhaps that goes some way to explaining Darby’s clueless Bonnet, a gentle soul who encourages his bloodthirsty pirate crew to express themselves through craft. “What he is good at is nurturing, reading them stories at night and being sort of a mum figure,” says Darby. “It’s similar to what I did with Bret and Jemaine, that kind of ‘it’s us against the world, guys’ feeling that Murray has, where all he really wants is to get involved and maybe get a hug.”

Speaking of Bret and Jemaine, it is hard not to feel a Conchordian energy while watching Our Flag Means Death. There’s spontaneous musical ukulele numbers, bumbling man-child antics aboard, and even a guest spot from Kristen Schaal, aka crazed fan Mel from Flight of the Conchords. Not to mention they are both made by HBO. “It’s definitely in the same realm. The comedy tone is there thanks to myself and Taika and David [Jenkins] who created the whole thing,” says Darby. 

So is this the partial Conchords reunion at sea that fans have been waiting for? “It is a little bit, but I could never say that without Bret and Jemaine,” laughs Darby. “Hopefully we’ll be making the same kind of magic.”

Our Flag Means Death is available to watch here on Neon