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The lyrics to ‘Good Lookin” as played on RNZ last night
The lyrics to ‘Good Lookin” as played on RNZ last night

Pop CultureJune 12, 2024

RNZ played ‘motherfucker’ and ‘bussy’ on air yesterday. What the fuck is going on?

The lyrics to ‘Good Lookin” as played on RNZ last night
The lyrics to ‘Good Lookin” as played on RNZ last night

Radio New Zealand has let a spate of swear words slip through on air this week. Madeleine Chapman calls a crisis meeting.

We were listening to the national broadcaster exactly as god intended: two gay women sitting in my dad’s diesel ute after buying toilet paper from a suburban Woolworths. And that’s when we heard it.

He’s bouncing off my booty cheeks, I love the way he ridesI can hardly breathe when he’s pumping deep insideI kiss him on his neck and then he kisses on my bussy

I stopped trying to reverse out of the park so that the rear camera would disappear and be replaced by the radio details. Surely we misheard. I looked at my girlfriend, she looked at me, we both looked at “NATIONAL” on the screen. We must have misheard. I turned off the engine and we patiently waited for the innocuous second verse of this random country song to end so we could check back in on that chorus.

He’s bouncing off my booty cheeks, I love the way he ridesI can hardly breathe when he’s pumping deep insideI kiss him on his neck and then he kisses on my bussy

We screamed. What was happening? Had the national broadcaster been hacked? Was Emile Donovan being held hostage, unable to turn the volume down or press pause on the track after the first “bouncing off my booty cheeks” was crooned? It was 8.27pm, not even late enough for the AO programmes to start on the telly. Kids were probably tucked up in bed, listening to RNZ Nights as they drifted into slumber.

As the guitar strumming faded out to end the song, Donovan revealed himself as being both alive and free. “RNZ National,” he said, then let out a breathy, nervous laugh. A laugh that can only be described as an audible tremble. “That was a song called ‘Good Lookin” by Dixon Dallas. And um, perhaps a good lesson for us to, uh, lyric check songs.” I was recording the car stereo on my phone but the rest of his spiel is drowned out by my howling.

RNZ, of Concert cancellation outrage fame, played in full a song entirely about the act of anal sex. And the lyrics aren’t subtle either. If you’re unfamiliar with “bussy”, you can probably use some context clues to figure out what it means.

After the next (non-explicit) song played, Donovan explained that most requested songs get put through a profanity checker to ensure that words like fuck and cunt (he did not say the exact words) aren’t featured. Those words were not in ‘Good Lookin” and yet it would have been far less explicit if they were. I can only assume (read: hope) that “bussy” has been added to the list of words to check.

But even if Donovan was telling the truth about RNZ’s moderation practices when it comes to music, they’ve clearly been slipping. Yesterday as well, Afternoons host Jesse Mulligan played a remix of ‘Paper Planes’ by MIA that included a very distinct and crystal clear “motherfucker”. He swiftly stopped the track and apologised for airing the word “during school hours”.

And on Saturday, Charlotte Ryan pulled ‘Black Swan’ by Thom Yorke after remembering that it had the word “fuck” in it. Quite a slip of the ol’ memory from Ryan considering these are the first two lines of the chorus.

And it’s fucked up, fucked up
And this is fucked up, fucked up

What the fuck is going on at RNZ? Part of me is choosing to believe that the stately broadcaster is slowly loosening its at times unhealthy grip on decorum, but in regards to “bussy” at 8.27pm… that’s letting go entirely. Is RNZ trying to be down with the kids? Cool? Hip? Sending a push notification explaining the Drake and Kendrick beef a few weeks ago suggests that may be at least part of the plan but again, Occam’s razor suggests this is simply a slipping of standards. To have one motherfucker slip through is forgivable, but a motherfucker and a bussy within 12 hours? I hope there’s a crisis meeting happening right now and I hope a very senior motherfucker is leading it.

Keep going!
(Image: Tina Tiller)
(Image: Tina Tiller)

OPINIONPop CultureJune 12, 2024

NZ’s Best Homes is the opposite of Sunday. Maybe that’s why it’s working

(Image: Tina Tiller)
(Image: Tina Tiller)

Initial ratings show the flashy replacement for TVNZ’s Sunday has done exactly what the broadcaster would have hoped. Stewart Sowman-Lund asks what that does for the argument to fund current affairs.

When TVNZ announced it would be dumping its long-running current affairs show Sunday, there was an understandable outpouring of frustration. The last source of long-form, investigative current affairs on TV ditched because it wasn’t deemed profitable enough. Profitable enough, because Sunday was still making money (TVNZ is expecting an underlying loss of between $28 million and $33m in the 2024 financial year). Staff at TVNZ were understandably disappointed by the decision to cancel the show, saying a healthy democracy “relies on the ability of experienced journalists to decipher, in-depth, the state of our country, our identity, and to hold power to account”. Viewers, including former prime minister Helen Clark, were also upset.

In place of Sunday is a new six-part property show fronted by British broadcaster Phil Spencer of Location, Location, Location fame that takes viewers inside the most unattainably lavish houses in New Zealand, from Queenstown to Piha. 

The first episode aired on Sunday and while basically every outlet wrote about the show ahead of broadcast (The Spinoff included), there hasn’t been a lot of coverage since. Did anybody watch it? Or did thousands turn away in protest? Turns out, a lot of people tuned in. Figures provided by TVNZ show the premiere episode of NZ’s Best Homes with Phil Spencer had an average audience of 490,000 – almost half a million people. Notably, that was more than the 473,900 who tuned into the final episode of Sunday last month (the figure rose to just over 500,000 later on, but TVNZ says it will take about two weeks to get consolidated numbers for NZ’s Best Homes).

The show itself is fine, entertaining even. Host Phil Spencer is as charming as viewers would expect. The homes are as elaborate and grand as you would want. It’s basically the exact opposite of everything Sunday was. Sunday was challenging to watch, routinely telling stories that just wouldn’t be told anywhere else. It could never be described as comfort television, which is precisely what NZ’s Best Homes sets out to be, allowing a glimpse behind the doors (literally) of our most wealthy. Perhaps, like my colleague Madeleine Chapman wrote yesterday, there’s a sort of “money porn” allure about a show like this in the current cost of living climate.

Phil Spencer and some very big windows (Photo: TVNZ)

But crucially, for TVNZ, it’s so obvious that this show is targeted at an overseas market. Speaking to the Herald recently, Spencer said he didn’t want his programme to “show New Zealanders around New Zealand”. That may be the case, but the first episode did include him describing the black sands of Piha and discussing the commute from the Hibiscus Coast to Auckland city like a travel agent pitching Aotearoa to the world. The show was produced by Perpetual Entertainment for the UK and Australia as well, and I can see the show doing quite well in both territories. The company has a history of plonking a well-known face in a different country and then airing the show in both – it recently made a series with Bill Bailey in Australia. It’s clearly a format that works.

In this sense, the show was always going to be a success for TVNZ because it mattered less whether anybody here paid attention. We’ve sort of been here before, too. When Campbell Live ended in 2015, there were quite literally protests in the street. MediaWorks, then the owners of TV3, replaced it with a cringeworthy local version of Come Dine with Me. It didn’t work, but the intentions were the same – take something popular overseas, put it in a traditional current affairs slot, and see if more people will tune in. This time, the local viewers have bought in, with the bonus of international appeal.

Come Dine With me
Remember Come Dine With Me NZ…? (Photo: Kelvin Taylor)

TVNZ won’t say what its next Sunday evening show will be once NZ’s Best Homes wraps up, though confirmed it will be a local production. But the fact it has proved the audience will come for a show like this is a boon for the broadcaster. The week after Sunday wrapped, TVNZ aired a repeat documentary that pulled in half as many viewers as the debut of NZ’s Best Homes, proving that a big audience on a Sunday night isn’t guaranteed, even for TVNZ1. While people bemoan the demise of current affairs, it’s easy to see why a broadcaster would choose to invest its time and money into something like NZ’s Best Homes. It’s easier to make, requires fewer resources, has an inbuilt global audience – and rates better to boot. 

There’s something a bit sad about all of this. Not just the fact people would rather watch a rich man show people around rich people’s houses than spend an hour in the company of agenda-setting journalism, but that TVNZ can’t (or won’t) offer both options. As Newsroom’s Tim Murphy wrote recently, it feels counterintuitive for the state broadcaster to choose to cancel programmes that “do what many viewers and politicians might expect TVNZ to be doing”. Then again, readers often tell journalists they really value in-depth reporting on tricky subjects like climate change, but the clicks don’t always back that up. In that sense, NZ’s Best Homes is the television equivalent of clickbait. I guess that’s something I can understand.

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Lyric Waiwiri-Smith
— Politics reporter