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View through privacy curtains to female doctor sitting with head in hand

SocietyJanuary 14, 2019

The doctor will not see you now: why resident doctors are striking for safety

View through privacy curtains to female doctor sitting with head in hand

The strike is about protecting an established deal on working conditions that keeps both patients and doctors safe, writes resident medical officer Dr Sofie Rose.

It’s 10pm on a Sunday night. I’ve been called to see an elderly patient with a kidney stone (NB: all patients described here are loosely based on my experiences as a doctor, to protect confidentiality). He has started vomiting – he’s been receiving morphine through the vein because that’s the only thing that will settle his pain, and IV morphine can make you vomit. Except now he’s vomiting up blood. I answer the page, calling the nurse back to ask his vital signs, how much exactly he has vomited, and a bit of his background. The tension melts from my body as I hear his blood pressure and pulse are normal – he is not bleeding out.

Thirty minutes later and I am at handover, the man who was vomiting up blood is all sorted, after a frenzied conversation with the surgeon on call, having to insert two large IV drips into his arms, run a lot of blood tests and organise a special fentanyl pain machine for him. The night doctor asks if I have anything to handover; I let her know about the sick patients, and then scurry off to finish my jobs – some results to follow-up on, and an elderly lady with a broken hip to quickly admit, though she arrived much earlier in the night.

I was paid to finish at 10:30pm but I finish at 12:15am, after I find that admitting that elderly lady was not “quick” after all. She does not know her own name because her dementia is so severe, her kidneys don’t work, and half of her face is swollen and bruised because she hit her head when she went down. I sign that she is not for resuscitation because my registrar is scrubbed into an operation; they should be the one to do it, but they are busy saving someone’s soon-to-be-dead leg. My signature will do for 24 hours.

I have been a doctor for seven weeks. I have been at work today for over 17 hours. I am on day seven of a ten day stretch; I worked a 15-hour day yesterday, and another earlier in the week. My ‘usual’ eight hour days are hardly ever only eight hours. I will breach the “eight-hour sleep” rule written into our contract, as I am due back at the hospital at 7am. My name is Dr Sofie Rose, and this is my new life as a resident medical officer (RMO). I am proud to work alongside near 3,500 other RMOs who share these working conditions. These are the ‘safer hours’ that were hard fought for in 2016 by our union. Prior to this, 12 days in a row with no breaks was the norm.

Tired. Doctors. Make. Mistakes. Safer doctors equal safer patients. The successful 2016 campaign saw the 12 day stretches gone, and in their place are two “rostered days off” after working a weekend, reducing the stretch to ten days. The reduction in hours came with an associated reduction in pay – a compromise we made for our safer rostering.

The following year Sam Hazeldine, a Kiwi doc, campaigned for self-care and personal well-being to be written into the Hippocratic Oath, the pledge that graduating doctors around the world swear to always ‘do good and do no harm’. We now must do good by ourselves too. In February 2018 our contract for safer hours came up for renegotiation, and our union, the Resident Doctors’ Association (RDA) have been bargaining with the DHBs ever since. Next month, the year of bargaining will be up. Our contract will be gone, and with it our reassurance of safer hours.

We are striking for a few simple reasons:

  • The DHBs are proposing to cut our pay further, despite us working the same hours. It is as though we are being punished for standing up for safer hours and patient safety, by further reducing our pay.
  • The DHBs are proposing that changes to our working conditions, hours worked per week, and job descriptions can be made with significantly less RMO consultation – disempowering us.
  • The DHBs propose to write our union (the RDA) out of discussions and agreements around our working conditions and rosters. This further disempowers us, as we lose our collective voice.
  • The DHBs propose to be able to move us between hospitals and regions, without our agreement. Under this change, they would be able to uproot us and move us at any point, to fill a vacant post.
  • We would like the same 2.5% pay increase that our nursing colleagues and other allied health care professionals have been offered, as to keep up with inflation.

In short, this strike is to keep the status quo of ‘Safer Hours’ rostering, not take a pay cut for it, to keep our rights and to keep our RDA protection.

This job is at times (if not often) emotionally exhausting. I care for people in pain, I care for people as they heal and convalesce. I comfort them as they cry, I watch them smile, and smile with them. I carry the burden of knowing their illness before they do, and sit with them and their whānau as they begin to process the bad news that I have just broken. I see people ride the rollercoaster that is life when someone is unwell; blood, sweat and tears – come what may. I see people dying, and I see people die.  When my patients and their families tumble through these ups and downs, it is my every day in caring for them.

It was so disheartening to hear that we needed to strike again for our voices to be heard. The ‘Safer Rosters’ campaign was such a step in a positive direction. Compassionate doctors need to be treated with compassion too.

#strikingforthestatusquo #saferdoctors #tireddoctorsmakemistakes #RDAprotection #ourright

Sofie Rose is a recent graduate of the University of Otago, now working as a House Officer, revelling in the ups and downs of life as a new doctor. She comes from a long line of female doctors, who fought hard for their ‘place at the table’ and for their voices to be heard, hence her passion for safer rostering and advocacy for work-life balance for doctors.

Keep going!
Bjorn Aslund and Monique Walford

SocietyJanuary 14, 2019

Capital Royalty: inside Wellington’s gloriously chaotic drag scene

Bjorn Aslund and Monique Walford

In the latest Frame documentary for the Spinoff, produced by Wrestler and funded by NZ on Air, we meet the people who have made drag such a big part of Wellington’s popular culture.

Wellington is one of the most accepting parts of the country to do drag, according to 21-year-old Monique Walford. “I feel like in the current Wellington scene drag is almost another one of those things that hipsters are doing. Like, some of them are doing poetry, some are doing art and a lot of them are doing drag right now.”

“While people have been doing drag in Wellington since long before we were born, the scene has exploded in recent years and we have our drag ancestors to thank for making it possible for us to exist in the way we do now,” says Walford.

Once found only on the fringes, drag is very much having its moment back in the spotlight. Thanks to TV shows like RuPaul’s Drag Race and TVNZ’s House of Drag, drag is now more popular than ever and is thriving throughout New Zealand.

“The demand for drag is growing more and more with every Pride Fest and the more reality shows get put on television,” says Walford. “As questionable as some of the things RuPaul says [are], he has done a lot to get drag into the mainstream and I feel like in the eyes of a mainstream audience queerness is ‘cool’ now.”

Capital Royalty, directed by Conor Lui and Emma Martin

Walford has two drag identities; drag king Robin YaBlind and hyperqueen Altra Violet. They are one member of the performance collective Haus of Sin, along with 20-year-old Bjorn Aslund – known on stage as drag queen Angel Ace. “We do group performances together and kind of inspire each other to keep pushing and be better performers,” says Aslund.

Both Walford and Aslund hail from small towns on the North Island and only discovered drag after moving to Wellington after high school. “Wellington is pretty forward in comparison to the rest of New Zealand. There are are a relatively large amount of drag kings and gender non-conforming drag artists which struggle to get as much publicity in other areas,” says Aslund.

Wellington’s Ivy Bar is where the contemporary drag scene was born and grown in the capital and continues to live. “It’s the hub of queer life and drag,” says Walford. “Drag has been flourishing in Wellington since long before we were born, and we have all those that came before us to thank for the ability to do drag the way we do today.”

Photo: Frame

Both relish the creative expression drag offers and despite their youth, are conscious of the platform it offers them as queer men and women.

“Drag is a fantastic medium to push society towards acceptance,” says Aslund. “Drag performers are often prominent in the community because they stand out. They often have influence and can act as protectors for people in the queer community with less of a voice.”

Walford agrees. “Society needs to progress and as drag performers, we are one of the most visible things the queer community has. At the end of the day, If I can put a freakin’ wig on and kids realise it’s ok to be queer? I can’t think of anything more valid.”

Both Walford and Aslund see a future in drag performance and want to take their art as far and wide as possible. “I don’t know any place that wouldn’t benefit from the queer community having another beacon to really look up to. Somewhere we can integrate into society better,” says Walford. “Drag can go further in terms of gender expression, and will go further, and I’m happy to be at the front of that.”

View more in the Frame series here.