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Pop CultureJanuary 18, 2017

Shocker: Turns out Jimi Jackson’s a misogynist bully too

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New Zealand woke up to the presence of a huge new internet celebrity this week thanks to the controversy around Jimi Jackson’s ‘blackface’ imagery. But a gross reply to a woman who commented on the image suggests his attitude to women is disastrous too, says Alex Casey.

Who would have thought it would only be a matter of time until a self-described “social media mad cunt” found themselves in a spot of bother. The MC in question is the hugely popular online comedian Jimi Jackson, who posted a Snapchat of himself with a darkened face, accompanied with the caption ‘Jimi Blackson’ to his 814,000 Facebook fans this week.

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Māori Television are currently in production for Jimi’s own local show entitled Jimi’s World – and according to the “people’s comedian”, the photo was taken whilst filming for a forthcoming television series. As a Pākehā woman, I don’t feel it is my place to comment on the complexities of the Jimi Blackson controversy, so I’m going to grapevine away from that faster than you can say “Art Green at a birthday party”.

But I’m not totally done. There’s something beneath the photo that suggests another layer of controversy, like a delicious tiramisu revealed to be made entirely of cat craps.

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Poor woman! Despite being burdened by these haunted, horned-up fingers – “made” for her by what I can only assume is some perverted Dr. Frankenstein – she’s STILL called a “slut” who has to “shut the fuck up”. We should all know by now that women who give handjobs are sluts, and sluts, much like oysters, must not have sentient thoughts. If they have sentient thoughts they stop being objects and when women who have sex start being treated like equal humans well… PC goes ballistic, the terrorists win and everyone marries their dog in a touching seaside service surrounded by close family and friends.

“He is a shocking role model for young people,” Nadezna Walsh told me later on Facebook chat, presumably typing with her elbows due to her gruelling prescribed handjob regimen, “I wasn’t even offended [by the image]. I just thought it was stupid, so I said so.” As for Jimi’s response, Walsh was shocked at the level of aggression, “I know his crass humour, but was disappointed that he felt that was an appropriate response.” Luckily for her, like so many other women familiar with so much as doing a gentle cough online, she’s learned to not let it get to her. “I’m thick-skinned so not too fazed. It’s more the people jumping on the bandwagon and being rude too.”

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It’s this bandwagon that has got Jackson to where he is today, for better or worse. Up until this point, he’s been able to exist in an online bubble where like-minded mad cunts have opted in to access his content. There are no checks and balances, no critics, no bosses. But these are all realities of what’s going to happen to this new breed of social media star, especially one on track to be among the breakout TV talents of this year. If Hosking spewed defensive sexist or homophobic replies at every piece of criticism he got, not only would he have no time to vacuum his Ferrari – he wouldn’t have a job.

Also: if this is how he takes to criticism, what’s going to happen when his show hits TV screens nationwide? What if women TV reviewers, like me, take issue with something he says or does? Sweet Jesus, what’s going to happen to my fingers then????

my slutty hands, running away from handjob duty to type
my slutty hands, running away from handjob duty to type

It also begs the question: is someone who talks to women like this the kind of person we want to support on our television screens? Had this been any other prominent New Zealand figure with even a scraping of a mouse’s fingernail of Jimi’s social reach, this sort of outburst would be admonished, and any upcoming projects sent to whichever special farm Heather Du Plessis Allan got sent to. And if you think that his influence is less significant because he isn’t on mainstream television or radio yet…

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Why isn’t he being held accountable for using abusive and sexist language in the same way they would be?

Like several others I’ve tried to report his page for abuse, I’ve tried to have the comment taken down, I’ve inquired about it with Māori TV and I’ve even printed out the status, burned it and buried the ashes with a garlic necklace. But it remains there, gaining likes and support by the hour. What kind of message does this send to his 814,000 followers, and the hundreds of supportive ‘likers’ who think it’s totally fine to call a woman a slut and tell her to shut the fuck up merely for disagreeing with a powerful social media presence on a notoriously controversial topic?

The real kicker is that this wasn’t even conducted outside a vineyard, or inside a fictitious locker room where there might have been a vague thought that only a handful of people would ever see or hear it, as with more recent celebrity doozies. Jackson said this in an incredibly public forum, the power of which he must be intimately familiar with: it’s the same one that made him a star. He knew exactly how this would be received by his legions of fans, and exactly how they would mobilise in relation to the woman in question.

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The comment remains hanging plainly in the ether for all to see. When asked for comment, a representative from Māori Television said the following:

“Jimi Jackson will be appearing in a new series entitled Jimi’s World that is due to be screened on MTS later this year. The series will be assessed by our censor before airing and will be expected to meet all requirements of the free to air code. We don’t condone the use of abusive language towards anyone and Mr. Jackson will be asked to tone down his language.”

I’m sorry Mr. Jackson (oooh) but misogyny is for real. You might need to do a little more than tone down the language to become a TV-ready role model in New Zealand. Might I suggest you begin by apologising a trillion times.


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Pop CultureJanuary 17, 2017

Laneway preview: Mick Jenkins on love, optimism and Trump

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Henry Oliver talks to Mick Jenkins, playing at this month’s Laneway Festival, about his new album and his capacity for love and optimism in the face of a Trump presidency.

On his debut album, The Healing Component, Mick Jenkins investigates the meaning of love – romantic and otherwise – and places his optimism in its social and political healing power. The album is both dark and positive, with Jenkins’ densely intricate rhymes winding around, and sometimes floating above, abstract beats care of producers Kaytranada, Rascal, THEMpeople, BadBadNotGood, IAMNOBODI and others. “Spread love, try to combat the sadness,” he raps on the title track. That’s what the album does and what Mick will try to do in person when he plays Laneway Festival later this month.

The Spinoff: The album tries to get at the concept of love from different angles and for different purposes. What does love mean to you?

Mick Jenkins: (Laughs)

(Laughing) Well, you wrote an album about it…

It’s intense. It’s what the whole album was trying to explain. It should be unconditional, it should be unwavering, it should be a willingness to serve other people. I don’t think I’ve wholeheartedly reached that point yet myself, but that’s what I think love should be, for whoever and not just romantically.

And do you think of it as a healing force politically as well as personally?

Yeah, I think it can be. I think it’s hard. It’s a difficult task, which will make people think that it’s not effective, and that’s just not true. But I think it works personally a lot more effectively than personally. Love conquers all. Truly – I believe that.

Perhaps the biggest change since the album came out last year is the election of a new president who is vastly different to the current one. Has that changed your thinking at all or are you still optimistic?

No, I haven’t changed my thinking. It’s just about understanding where you live, understanding the reality of America. It hasn’t really changed my opinion on that at all. Our economy and the way it all works has been quite unfair under several presidents and the fact that a bunch of people voted for a guy who’s done the things that he’s done and is saying the things that he’s saying validates what America is and that it has been this way for a while. So it’s not a new thing to me. I’m not surprised and it definitely doesn’t change my perspective.

The album goes to dark places but you always seem to remain an optimist throughout…

Well these are things that are going on in my life and I’m just addressing how I think I should deal with them. It’s not an optimism, it’s just what’s been effective for me. This is a harder way to respond in the face of negativity, it’s a lot more difficult to respond in a loving way to some of the things we’re facing and a lot of the things I was talking about on the album, as it mirrors my life and my understanding, I’ve battled through those situations and these are the lessons that I’ve learned and I’m speaking to it. So understand that it’s perceived as optimism, but it’s more just me giving an account of what I’ve experienced and what I’ve learned.

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What does water mean to you? It’s a metaphor you’ve used a lot previously on previous releases The Waters and Waves, and then water seems to run through this album as well…

Water is synonymous with truth. So I might say ‘drink more water’ but I’m kind of saying ‘seek more truth’. Around the time I created The Waters I was looking for something that could unilaterally represent something like the truth of the matter, which is something that is always called into question, especially as it concerns love and the government of the world. And I just thought water fit perfectly in the way it can be manipulated metaphorically. 

You’ve made EPs, mixtapes and standalone singles, but The Healing Component is your first album. What has the format of the album allowed you to do creatively that those other formats didn’t? 

I just took it a lot more seriously. It requires you to be a lot more involved because of the level that I was trying to take it. Your debut album is a one-time thing and so I went about it with a lot more planning and a lot more particularity than I ever did before. I was there with the producers when they were making beats whereas I would usually just come when a beat was done. I was in the studio when I would have previously just been sent beats. I was involved heavily in the mixing process whereas before I would just wait for the track to be sent back to me, so it required me to be a lot more hands-on. 

And has it presented you with different opportunities career-wise, that people perceive you differently as an artist?

I guess so, as I continue to release good music, I can only assume that’s what’s opening up opportunities for me, so yeah, I can notice it.

And has that forced you to think more about how you’d translate your music to a live environment?

Yeah, I’ve already been performing it and that’s an essential part of how I create the music, thinking about the live show and I’m super excited to show you guys that, especially since my music that has never been performed there. It’ll be an amazing show.


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