mopheadfeat

BooksAugust 12, 2020

Mophead, and why I love my big hair

mopheadfeat

Odessa To’o on Selina Tusitala Marsh’s picture book Mophead, which was just named the Margaret Mahy Book of the Year. 

I almost didn’t read this book because of the title. Mophead. Instantly recognisable as an insult for anyone with big hair, even though I’ve never been called it myself. The kids at my primary school called me “horse’s tail” instead. I saw the cover, with that big insult in red, and thought, “Am I supposed to want to read this?”

I love Selina Tusitala Marsh’s hair and I love how she wears it now, all free and wild. It looks like mine. I’m not surprised that she wears it proudly but I was also not surprised to read about how she was teased at school and tried to suppress her locks. Kids are mean, man, but I was lucky in that my parents never made a deal out of my hair, even though I was the only one of their four kids without dead-straight locks.

I must be in the minority because I’ve always loved my hair. Kids would try to make fun of me for it but my reaction was always just to wonder why. It didn’t make sense to me that people would think my hair was something to be ashamed of. My hair took up a lot of time – my mum would spend five minutes doing my sister’s hair and 20 minutes doing mine – but all good things take time, right?

There’s something about the illustrations in Mophead that are perfect for the story. It’s how free-flowing everything looks, like Marsh was doodling self portraits in class.

A spread from Mophead (Images: Selina Tusitala Marsh)

Having great hair means feeling like a minor celebrity all the time. Strangers stare at me or ask if they can touch it; I feel high maintenance for always telling hair stylists that their hair ties won’t work; and always have to answer awkward questions from people who should probably know better.

Here’s some quick do’s and don’t’s for when you meet someone with big hair:

If you like it, DO say so.
Who doesn’t love a compliment?

But DON’T make it weird by complaining that you yourself have “boring” hair.
What am I supposed to say to that?

If you want to touch it for some reason, DO ask.
Would you walk up to someone and start touching their neck without asking?

DON’T say things like “Do you like your hair?” or “It must get annoying, right?”
Can you imagine asking a stranger if they like their face? It’s the same thing.

(Image: supplied)

In Mophead, young Selina makes her classmates jealous when she becomes head girl. As a teenaged dancer, I always let my hair move as it pleased while I danced (except for ballet, where buns were compulsory). I was a good dancer and when visiting choreographers selected their favourites, I was always picked, until one year when some of the dancers complained that I had only gotten an award because of my hair. I couldn’t believe it. The thing people tried to make fun of me for was now an advantage for me?

Turns out it was. Britney Spears’ former choreographer visited two years later and told everyone with long hair that not only was it noticeable, it was an asset. He told us to use our hair in our dancing, rather than letting it just be there. I’d always loved my hair but I’d never thought of it as being something to arm myself with.

Anyone with big hair has probably already been gifted this book by someone they know because it’s the first of its kind. Big hair is in now, just like big eyebrows are in, but it won’t stay that way. And kids will always look for something to make fun of. Mophead and horse’s tail won’t go away but maybe this book will help kids understand that, like Marsh says, your difference makes a difference.

Selina Tusitala Marsh performs her poem Unity for the Queen at the Commonwealth Service, 2016 (Image: One News)

When you live your whole life with big hair, you get used to being different. It can be tough to deal with at first but always being different from the pack helps develop good muscles. If you’re already different, why not just go for it with everything? I was alone in my hair and because of that, I never thought about being alone in other ways. Which meant my sister and I were the only Pasifika tennis players at our club. I was always the only Pasifika dancer in my crews growing up. Working in corporate banking, I’m often the only brown person in the room.

It looks like Marsh has stood out in every room throughout her life. I didn’t know about all her achievements but I wasn’t surprised to read about them. When you’ve got big hair you run your own race.

It’s not deliberate but there’s never any hesitation with challenges, particularly ones that might draw attention. Everyone’s been staring at you your whole life so why fight it? Besides, it’s way better than being the same as everyone else.

As told to Madeleine Chapman.

Mophead, by Selina Tusitala Marsh (Auckland University Press, $24.99) is available from Unity Books Wellington and Auckland

Keep going!
Selfie with self-portrait (Photo: Selina Tusitala Marsh)
Selfie with self-portrait (Photo: Selina Tusitala Marsh)

BooksAugust 12, 2020

This children’s book awards speech is the happy cry you need right now

Selfie with self-portrait (Photo: Selina Tusitala Marsh)
Selfie with self-portrait (Photo: Selina Tusitala Marsh)

Announcing the winners of the 2020 New Zealand Book Awards for Children and Young Adults. 

The supreme prize of the night, the Margaret Mahy Book of the Year Award, goes to Selina Tusitala Marsh for her super-personal picture book, Mophead.

Mophead is memoir and clapback and wild doodle; it’s the story of what it felt like to be a little girl with big hair, and how she grew into it, and became our Poet Laureate. It’s orange and black and white and it’s printed on lovely thick cartridge. Dedication: “For those who stick out.” (We have just published this piece about it, by another girl with big hair.)

Here’s a snippet from the press release, covering what the judges said:

Mophead is “clever, joyful and inspiring, with not a smidgen of pretension or condescension”. They went as far as calling the book “perfect” – describing it as a taonga that should be placed in the hands of every child in Aotearoa, especially young Pasifika children who might not yet know their own creative power.

“We love this book’s design and production. We love that it’s part picture book, part graphic novel, part memoir, part poem – its form is exactly what it wants and needs to be, which is the message of the book too,” says convenor of judges Jane Arthur.

Enough waffle. Watch Selina Tusitala Marsh and be glad you did.

Mophead also won the Elsie Locke Award for Non-fiction, against a strong field – including bestselling comic book Te Tiriti o Waitangi / The Treaty of Waitangi, by Ross Calman and Mark Derby, illustrated by little-known graphic artist Toby Morris.

Abigail and the Birth of the Sun was named best picture book, most notably above the ginormous scarlet anthology The Gobbledegook Book, by Joy Cowley and Giselle Clarkson. Matthew Cunningham wrote Abigail and Sarah Wilkins illustrated; it’s a simple, sweet story about an old star and a girl who can’t sleep and it has lovely relatable lines like: “Then, all of a sudden, she felt a rumbling from deep within her chest … at first it was a little rumble, like a kitten purring. But soon her chest was roaring like a thunderstorm.” Every word scans. The narrative takes a pleasing, easy orbit and the illustrations are magic-garden gorgeous.

Part of a spread from Abigail and the Sun (Image: Sarah Wilkins)

The Wright Family Foundation Esther Glen Award for Junior Fiction rightly went to Lizard’s Tale by Weng Wai Chan – we’ll have a review up shortly. Sample quote: “For me, the most remarkable, and special thing about this book, is the touching melancholy of it, and how it sneaks up on you. To be real for a moment: A story that is set in 1940 in Singapore, that wraps up before 1941 in Singapore, has a hypothetical fourth act that isn’t going to get any better.”

Damien Wilkins loped off with the Young Adult Fiction Award for his slim, golden novel Aspiring, which started life as a short story. We love Aspiring but we also had a huge soft spot for Afakasi Woman, by Lani Wendt Young – this category was so strong it’s a wonder the judges didn’t pull a Booker and split the prize.

A languid spread from The Adventures of Tupaia (Image: Mat Tait)

Mat Tait won the Russell Clark Award for Illustration for his work on The Adventures of Tupaia. The judges said the illustrations had “an urgent fire in their belly”. We interviewed the book’s author Courtney Sina Meredith a lifetime ago, in October; she told us she cried every time she read it.

Tio Tiamu, an interestingly stretched-up-tall book about a kind giant with stinky toe jam, won the Wright Family Foundation Te Kura Pounamu Award for te reo Māori. From the press release: “The panel of judges convened by Te Rōpū Whakahau said this ageless and weighty story dealt with universal themes, but at the same time was steeped in whakaaro Māori.”

And the prize for the best first book went to Michael Petherick for the bright and breezy graphic novel slash grab-box of goodness, #Tumeke!

Tumeke! Each category award, including the Margaret Mahy prize, comes with a sweet $7500, except for the best first book winner who gets $2000. But the money’s not the point, eh? These are books that lift our kids up, that calm them down, that show them they can grow up to kick ass  – and that they can certainly get through whatever we all wake up to tomorrow.

All of these books can be ordered from Unity Books Wellington and Auckland. The awards ceremony for the 2020 New Zealand Book Awards for Children and Young Adults was held online; you can watch it via YouTube or Facebook