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BooksDecember 13, 2018

Hear ye, hear ye: these are the 20 best novels of 2018

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All week this week we present the best books of 2018. Today: the 20 best novels.

Previously: the best kids books, poetry books and non-fiction books of 2018.

Past Tense by Lee Child (Bantam, $38)

Reacher.

Normal People by Sally Rooney (Faber, $33)

Was the Irish writer’s love story the best novel of 2018? From the forthcoming review at The Spinoff by Kim Hill: “Only a young person could have written this, with its vivid descriptions of what it’s like trying to figure out who you are, the struggle to make the inner and outer parts of yourself cohesive and consistent, the way you can be a different person, depending. We might remember the agony of it, in an inchoate way, but to describe it as Rooney does is an extraordinary feat.”

My Year of Rest and Relaxation by Ottessa Moshfegh (Jonathan Cape, $38)

Or was this the best novel of 2018? A narrator who decides to take the year off by balancing a recipe of prescription medication to keep her asleep for as long as possible. The trouble is, she keeps waking up to find she’s been out and about….Bleakly hilarious, My Year is The Bell Jar for the 21st century.

Less by Andrew Sean Greer (LittleBrown, $25)

One of the biggest-selling novels of the year follows Arthur Less, a minor novelist, on his travels around the world on a literary tour. There’s a bit where Less goes to see a Broadway show alone and he ends up (of course) sobbing his eyes out at the end of it, and the woman beside him says, “Honey, I don’t know what happened in your life, but I am so so sorry.” She gives him a hug. He wants to say to her, “Nothing happened to me. I’m just a homosexual at a Broadway show”, but doesn’t. Less is jaunty, tender and hilarious.

The Only Story by Julian Barnes (Jonathan Cape, $35)

From the review by Stephanie Johnson at The Spinoff: “A love story, a story of adultery…Narrator Paul returns us to the year he was 19 and home from university for the summer holidays and meets  the woman who will disrupt his life and change it forever. Susan is 48, married with two daughters around Paul’s age, and more bored than he is….A masterful meditations on the meaning of love and sex between men and women.”

Milkman by Anna Burns (Faber, $33)

A big-hitting 70s Belfast tragi-comedy with a heap of pull and a bit of menace. It’s the 2018 winner of the you-know-what which attracts snivelling and whining in the old media about how this novel is gagging and unreadable, but readers are buying and loving it. What Burns achieves with expository dialogue could easily cause other authors – even Sally Rooney – to break down and cry. Read our review here.

A Gentleman in Moscow by Amor Towles (Penguin, $26)

A gorgeous, endearing novel in which a wealthy count is sentenced to a lifetime of house arrest in Moscow’s Hotel Metropol after writing a counter-revolutionary poem. Spanning 50ish years from the 1920s, the count witnesses the changing politics and economy of Russia from his view in the hotel. It’s a gentle but entertaining read full of philosophical insights, charming encounters, and aristocratic class.

Mazarine by Charlotte Grimshaw (Penguin Random House, $38)

From the review by Charlotte Graham-McLay at The Spinoff: “Mazarine is…Gone Girl suspense paired with middle-aged, female sexual awakening. At once domestic drama, psychological thriller and a sort of sensual coming-of-age tale, Grimshaw picks and chooses which tropes from each style to use and which to let lie. It’s a brilliant and disconcerting strategy.”

Crudo by Oliva Laing (Picador, $35)

Crudo might sound like a headfuck but Olivia Laing is one of the most important and interesting cultural critics writing today and she knows what she is doing. It’s her fourth book but first novel and is a strikingly raw work of autofiction which documents in real time (she wrote it in a feverish seven weeks) the devastating fall-out after the Brexit vote. Fear! Anxiety! Confusion! Political terrorism! Laing has distilled the immediate atmosphere of shock felt by many at the time during that British summer of 2017. Writer Kathy (the character is based on Olivia Laing herself but channelled through the punk author and provocateur Kathy Acker) is getting married and grappling with fears of cohabitation. While experiencing the giddyness of falling in love, Kathy is also keenly aware of the feeling that politically, the world is falling apart around her.

The Outsider by Stephen King (Hachette, $55)

An 11-year-old boy is found murdered in a town park. Eyewitnesses all point to a baseball coach. DNA evidence and fingerprints confirm it. But after his arrest, the suspect provides a solid alibi. WTF! A man can’t be in two places at the same time. Can he…? King at his motherfucking scarily best.

Gabriel’s Bay by Catherine Robertson (Penguin, $38)

Chicklit with wit by New Zealand’s most entertaining novelist. Her cast of colourful characters get up to all sorts of mischief in a small seaside town and it makes perfect summer holiday reading.

Under The Sea by Mark Leidner (Tyrant, $35)

Into that whole epic, improbable, wildly imaginative George Saunders sort of thing? Leidner’s debut short story collection is far-reaching and far-out; he covers topics like extremely bad breakups, insects getting drunk at the brink of a civil war, and teenagers trying to get their stolen drugs back. His stories have a perfect laugh-out-loud balance of genius and stupidity.

This Mortal Boy by Fiona Kidman (Vintage, $38)

From the review by Tina Shaw at The Spinoff: “In her latest novel, Kidman explores the story of the ‘jukebox killer’, as Albert Black was sensationally described in 1955. Black was a mere 20-years-old when he was convicted of murder and then hanged at Mount Eden prison. He killed a man at Ye Old Barn cafe in Auckland by putting a knife in his neck. But it’s still unclear whether the murder of Johnny was premeditated or an accident…It’s clear where Kidman’s sympathies lie, and her portrayal of Black as a youth who makes an awful mistake is a heartbreaking one.”

In the City of Love’s Sleep by Lavinia Greenlaw (Faber, $33)

You’ve already read Sally Rooney’s Normal People, loved it, but not sure where to go next? This is sort of the grown-up version. Iris is a museum conservator who repairs and restores the unique objects in the museum’s collections, and Raif is a grief-struck academic whose friends have become bored with as he has become ‘iced over’ after his wife’s death. After a chance encounter, there is an immense gravitational pull between the two. The objects and artefacts that Iris deals with at work are things to be recovered, restored and repaired – just like relationships and people. In the City of Love’s Sleep is a beautifully crafted, immersive and elegant novel to get lost in.

Asymmetry by Lisa Halliday (Allen & Unwin, $32.99)

From Stephanie Johnson’s review at The Spinoff: “Lisa Halliday’s novel Asymmetry is divided into three parts. The first and longest concerns a love affair between Alice, a young publishing assistant, and Ezra Blazer, a famous Pulitzer Prize-winning author many years her senior. The second story gives us an Iraqi American doctor in transit in Britain and detained because of his nationality. The third returns us to Ezra…Halliday is the real deal, a truly unique, intelligent voice for our times.”

Transcription by Kate Atkinson (Doubleday, $38)

Set in 1940, in England, Atkinson’s slow, intimate love story also operates as a spy thriller. Juliet Armstrong enters a mysterious arm of the secret service as a teenager. They start her off listening in on bugged conversations among Nazi sympathisers. She shows a talent for covert operations and is promoted to spying in the field…where it all begins to go horribly wrong.

The Cage by Lloyd Jones (Penguin, $38)

The year’s most challenging read, partly on account of the fact it’s full of shit, faeces, excrement, as produced at constant levels by the book’s two main characters who turn up in a country town and are placed in a cage until the authorities decide what to do with them. Stephanie Johnson, reviewing it in The Spinoff: “Descriptions of the strangers shitting in their cage – how they cover it up or don’t, the positions each takes to relieve himself, filth on their hands and clothes, the appalling, gag-inducing stink of it – must number in the tens.” But Jones is a master storyteller, and his fable packs a profound punch.

The Book of Chocolate Saints by Jeet Thayil (Faber, $33)

Big, baggy and brilliant (think Anthony Burgess’s Earthly Powers), Thayil’s second novel captures the history, literature, religions, caste systems and general tumult of India through the life of poet and painter Newton Francis Xavier, a man with alcoholic and sexual appetites as enormous, and misspent, as his talent. Hypnotic and cheerfully debauched.

All This By Chance by Vincent O’Sullivan (Victoria University Press, $35)

From the review by Elizabeth Alley at The Spinoff: “O’Sullivan’s novel traces several generations of a New Zealand family, from 1947 to 2004…It requires close reading, concentration, patience and fortitude, the commitment to go where he takes you, in his unshakeable belief that the past so strongly informs the present.”

The Reckoning by John Grisham (Penguin, $30)

Grisham.


As chosen by our panel of readers Guy Somerset, Courtney Smith, Chloe Blades, Tilly Lloyd, Jenna Todd, Kiran Dass and Steve Braunias. All titles are available at Unity Books.

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non fiction

BooksDecember 12, 2018

Absolute fact: These are the 20 best non-fiction books of 2018

non fiction

All week this week we present the 20 best books of the year. Today: the 20 best books of non-fiction.

Previously:

The 20 best kids books of 2018

The 20 best poetry books of 2018

Māori Made Easy: For everyday learners of the Māori language by Scotty Morrison (Penguin, $38)

Oh just give this guy a knighthood now, one of those ones with bells on, in recognition of his incredible services for introducing te reo into New Zealand homes via this easy instruction manual. Want to start learning the language? Begin here.

Boys Will Be Boys: Power, patriarchy and the toxic bonds of mateship  by Clementine Ford (Allen & Unwin, $37)

Alex Casey, The Spinoff Review of Books: “Where her first book Fight Like a Girl read like a feminist manifesto and a call to arms for women everywhere, Boy Will Be Boys shifts the spotlight to examine how the patriarchy and gender roles affect men as well as everyone else on this godforsaken planet. Tackling something as vast as the patriarchy is a mammoth task, so Ford takes what I call ‘the Michele A’Court approach’ and eats the elephant with a teaspoon, breaking it down into essays ranging from the ‘not all men’ movement to the representation of men and women in popular culture.”

Karori Confidential by Leah McFall (Luncheon Sausage Books, $25)

Witty, luminous collection by the Sunday magazine columnist. So many zingers! Karori is like Gloriavale without the aprons.” And: “I was about to have a baby but what I deep-down probably wanted was a dog.” Also: “Your married self will be a lot like your unmarried self, except now you have cake forks.”

Ko Taranaki te Maunga: My mountain is Taranaki by Rachel Buchanan (Bridget Williams, $15)

A whakapapa-memoir which uncovers fresh layers of the old and emblematic story of Parihaka being violently and lengthily smashed by the colony, and tells a moving and elegant tale of Buchanan’s findings on her family and Parihaka. A tiny wee book, but it delivers like an 800-pager.

Impossible Owls by Brian Phillips (FSG, $45)

A bit like David Farrier’s dark tourist, but less…dark. Like, one of these essays is about a Walmart parking lot. At the start he has to learn to fly a bush airplane (with a cockpit “the size of a coffin”; he reckons a desk fan could blow the thing off course) to follow the course of the Iditarod sled dog race in Alaska. The writing is terrific and he’s also ridiculously funny. Some liken him to John Jeremiah Sullivan and even David Foster Wallace. Yeah, maybe; easier just to curl up with some astonishingly good essays about someone putting himself in odd places.

Calypso by David Sedaris (LittleBrown, $35)

A brilliant collection by America’s finest wit. Peter Wells, in his forthcoming review at The Spinoff: “Is the book funny? Oh yes, you can rely on the usual explosive gulps at his sheer outrageousness. One example is a small tumour he has cut off in macabre circumstances by someone he met at a book reading. He feeds the remains of the tumour to a turtle he’s very fond of – one with a deformed head. This is the essence of Sedaris. He takes you on a trip, it’s beautifully detailed, its slightly unbelievable as in all tall stories, maybe even a little macabre, but it also has a baseline of human truth.”

Simple by Yotam Ottolenghi (Ebury Press, $65)

The best cookbook of 2018. Linda Burgess, in her forthcoming review at The Spinoff: “His recipes are enchanting… They add gravitas to your kitchen by looking so stunning, as if drooling over the photos will make you be a really good cook. Your cholesterol level halves just by picking up one of his books. He assembles fabulous fresh ingredients, and he generously implies that if you try even just a little bit harder, you can cook like this.”

My Life, My Fight by Steven Adams with Madeleine Chapman (Penguin Random House, $40)

The best sports book of 2018. Spinoff prodigy Madeleine Chapman – aged 24 FFS! – skillfully and wittily goes about setting out the life story of the highest-paid New Zealand athlete of all times, from his childhood and lost teenage years in Rotorua, discovering purpose and basketball in Wellington, and then staying on top in the stratosphere of the NBA. It’s got everything plus jokes.

Theo Schoon: A biography by Damien Skinner (Massey University Press, $59) 

The best picture book of 2018. That’s on account of the fact it has lots and lots and pictures of the fantastical artworks created by Theo Schoon, whose paintings and carvings (his preferred media: gourds, which he grew in his garden) were among the greatest pieces of art made in New Zealand in the 1950s, 60s and 70s. Skinner’s study reveals someone who was really a complete asshole – anti-Semitic, predatory – as well as a pioneering visionary who recognised (and exploited) the beauty in Māori artforms when no one else was looking.

Walls: A History of Civilisation in Blood and Brick by David Frye (Faber, $45)

Build a wall! Build a wall! Frye (a teacher of ancient and medieval history) focusses on the big picture history of civilisation by leaping dextrously across 4000 years, mulling over the reasons why walls exist and will continue to exist, how their original intention often didn’t work favourably long term, what walls can and can’t do, their contribution to civilisation (or not), and the psychological impact of 21st-century walls on both migrants and refugees.

Patterson: Houses of Aotearoa by Andrew Patterson (Thames & Hudson, $95)

Aspirational architecture for people with big paddocks and pockets. And also for people without those things, who might want to lift an idea or two for their lean-to extension. And for general aesthetes. Patterson is brilliant and daring and heavily imaginative, and the photographic spreads (mainly by Simon Devitt) are a notch up on all the others, too.

Hard Frost: Structures of feeling in New Zealand literature, 1908-1945 by John Newton (Victoria University Press, $40)

Just when it seemed no one was writing big, thrilling surveys of New Zealand literature anymore, enter John Newton, with the first of a major three-volume project – and brings new understandings, new discoveries. It got a knock-out review by Hugh Roberts in New Zealand Books. The opening sentence rang a loud bell: “If there is a better book on New Zealand literature than John Newton’s Hard Frost, I have not read it.” The second sentence bonged it even louder: “Rarely, indeed, have I read a work of literary history in any field of its calibre.”

To Throw Away Unopened by Viv Albertine (Faber, $45)

Albertine was best known for her 1970s work with all-female post-punk trailblazers The Slits – until her first memoir Clothes, Music, Boys, which established her as an astonishingly good writer. To Throw Away Unopened is a kind of sequel. Albertine, now in her 60s, looks back at the rage of being a woman smashing through the patriarchy. Coming through divorce, 13 operations, a miscarriage, 11 IVF attempts, cancer and extremely difficult family dynamics, she holds nothing back in her storytelling as she deals with her brutal childhood, vicious sibling rivalry, and how all of her experiences shaped her into an inspirational and independent woman.

The Recovering: Intoxication and its Aftermath by Leslie Jamison (Granta, $45)

A very beautiful, brainy, relentlessly self-interrogating memoir about addiction and “the recovery narrative”. Jamison tells the story of her own addiction as well as various writers and artists, including the man behind AA’s twelve steps, Bill Wilson. She somehow shows that a story that isn’t necessarily ‘unique’ – how many recovery narratives are there? – still has value.

Room to Dream by David Lynch and Kristine McKenna (Text, $40)

memoir in two parts from the inscrutable genius of art film. McKenna, a journalist, provides the facts and sources the mostly adulatory quotes from Lynch’s collaborators. In alternate chapters, Lynch offers his own, more mysterious and compelling perspective on his work and process. Sample quote: “The Red Room is an important part of Fire Walk with Me, and I love the Red Room. First of all, it has curtains, and I love curtains. Are you kidding me?”

Sam Hunt: Off the Road by Colin Hogg (HarperCollins, $50)

The sequel to Hogg’s gonzo poetry-tour classic Angel Gear finds Hunt with his feet up in remote Paparoa, with no intention of going anywhere. So Hogg drives north for long, searching, funny and sometimes wasted conversations. There is a lot of drinking (beer for Hogg, wine for Hunt), a lot of reciting and a mountain of Northland weed to get through, but there is also a raw, honest melancholy from New Zealand’s most famous poet as he reaches his seventies and wonders if death is near.

We Can Make a Life: A memoir of family, earthquakes and courage by Chessie Henry (Victoria University Press, $35)

A touching memoir from a refreshing voice, We Can Make a Life is the story of Chessi Henry’s family and their story of both the Christchurch and Kaikoura earthquakes. Her dad was a doctor who crawled through makeshift tunnels in the wreckage of the CTV building, looking for the living and the dead. She interviews him at length and the result is a moving record of trauma and survival, of decency and quiet heroism.

Tinderbox by Megan Dunn (Galley Beggar Press, $30)

Wellington author Dunn’s meta-memoir about writing, bookselling, Ray Bradbury’s Fahrenheit 451 and the film thereof. It has a touch of Nick Hornby’s “What I’m Reading” columns for The Believer about it (a compliment; those columns are the best of Hornby). Like Hornby, Dunn captures how we really engage with art, as opposed to how we aspire and pretend to. And she’s very funny. That’s always good. Keeps you off the Pernod.

From the Corner of the Oval Office by Beck Dorey-Stein (Penguin, $38)

Stenographer to Obama, Beck Dorey-Stein is America’s real-life answer to Bridget Jones. The intimate intricacies of the partying, shagging, and flirting on and off Air Force One during Obama’s administration are served as a platter of raucous excitement. The insecurities of a 20something woman having an affair with a senior staffer are entwined with Obama’s administration and his politics, and it’s sensationally addictive.

Fire and Fury: Inside the Trump White House by Michael Wolff (Little Brown, $38)

Danyl McLauchlan, The Spinoff Review of Books: “An instant classic of political reporting, The Fire and Fury is not so much an insight into the Trump administration as it is a detailed confirmation that it functions exactly how you imagine, and exactly how it’s been reported: a rolling, brawling, ever-widening clusterfuck of incompetence, infighting and chaos, which Wolff documents with forensic detail and acidic prose.”


As selected by our panel of readers Ashleigh Young, Philip Matthews, Guy Somerset, Tilly Lloyd, Chloe Blades, Kiran Dass and Steve Braunias. All titles are available at Unity Books.