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August 3, Bangkok, Thailand: anti-Rowling signs at a Harry Potter-themed pro-democracy rally (Photo: Lauren DeCicca/Getty Images)
August 3, Bangkok, Thailand: anti-Rowling signs at a Harry Potter-themed pro-democracy rally (Photo: Lauren DeCicca/Getty Images)

OPINIONBooksSeptember 20, 2020

JK Rowling and the damage done

August 3, Bangkok, Thailand: anti-Rowling signs at a Harry Potter-themed pro-democracy rally (Photo: Lauren DeCicca/Getty Images)
August 3, Bangkok, Thailand: anti-Rowling signs at a Harry Potter-themed pro-democracy rally (Photo: Lauren DeCicca/Getty Images)

It’s been revealed that an upcoming novel by the Harry Potter author features a crossdressing serial killer. 

In the last several years Joanne “JK” Rowling has doubled, tripled, and as of last week, quadrupled down on her bigotry towards transgender people, both in her public statements and in her popular fiction. Anyone who’s not a white conservative has Donald Trump, Māori have Don Brash, and so on – trans people have Rowling.

There has been pushback: four authors left the literary agency that represents Rowling, dismayed by what they claimed was its refusal to reaffirm its support of trans rights. Harry Potter fansite The Leaky Cauldron has published a disavowal of Rowling, and stars of the film franchise, including Daniel Radcliffe, have stated that they do not agree with her views.

The Potter books are often considered the best-selling youth fiction of all time. I never held them particularly dear. (I was much more preoccupied with Philip Reeve’s Mortal Engines novels.)

Rowling has moved on from Harry Potter, too: since 2013 she has been producing contemporary detective fiction under the extremely feminist pseudonym, “Robert Galbraith.”

News broke a few days ago that her latest Galbraith-penned novel, Troubled Blood, features a murder-mystery whose culprit is a serial-killing crossdresser. Combined with the non-passing trans woman Pippa from 2014’s The Silkworm, Rowling has now published the holy duopoly of lazy and harmful media portrayals of trans* fems: the deceitful and the pathetic trans fem respectively.

September 14, Lahore, Pakistan: a protest over the killing of a transgender woman (Photo: Arif Ali/AFP via Getty Images)

Outside of her work, Rowling has repeatedly antagonised trans people, primarily through Twitter, notably showing support for figures who have lost their job for being transphobic in the workplace.

(A quick digression on freedom of speech: nobody in the world has been punished by the legal system for misgendering someone. There are lots of things you can say that are allowed under freedom of speech that an employer is still allowed to fire you for, especially if you consistently make your co-workers uncomfortable or unsafe.)

Troubled Blood has been dubbed Rowling’s “personal fantasy novel,” and it’s easy to see why. In an essay defending her views on trans people, there’s a big emphasis on how changes to make trans women feel safe to use the correct gendered spaces will allow “men” to directly enter women’s spaces, suggesting that straightforward gender recognition for people who seek it will enable assaults. This sort of notion presumably informed the actions of the latest novel’s villain, and it is fantasy logic. The stick person sign on the changing room door is not a magical ward that prevents people of the wrong gender entering that space to do harm. What does is the fact that most people, most of the time, don’t want to do terrible things to people. Also there’s the illegality, not to mention the improbability of succeeding at a sex crime in a populated, public place.

It is this kind of scaremongering that recently put on hold changes to New Zealand’s Births, Deaths, Marriages and Relationships Registration Act that would have made changing gender markers on birth certificates accessible for trans people. To be very clear: no facts about sexual or gendered violence support these fears. As Rowling, a survivor herself, should know, the vast majority of abuse and sexual violence takes place between intimate partners. (Further, as evidenced by the total lack of serial killers with the uniqueness, nerve and talent to make it on RuPaul’s Drag Race, serial killers can totally find and kill women without crossdressing.)

But while any increase in violence that comes as an incidental side effect of trans people’s safety and dignity is purely hypothetical, the harm faced by trans people is very real.

Showing just how vulnerable transgender people in New Zealand are is a landmark study called Counting Ourselves, published in September last year. It stands as one of the best surveys in the world of a trans population, with plenty of data directly comparable to statistics for New Zealand’s general population as well as data on issues unique to transgender people. It showed that trans people are much more likely to be harassed and discriminated against, as well as faring worse in every wellbeing metric.

Trans women, in particular, are actively harmed by the myths Rowling is perpetuating. In June a US senator quoted her while actively blocking a bill that would have entitled LGBTQ people to civil rights protections, harming all trans, gay and bisexual people in his country. The idea that trans women are actually “men in dresses” gives people permission to be disgusted by us, to harm us. Transgender women in real life often face real violence from men as retaliation for their mere existence. In parts of the USA the “trans panic defence” sees men literally found innocent of murder as a consequence of their bigotry.

All of this teaches us to hate and be disgusted by ourselves, both for nonconformity to our assigned gender, and for the way that trans women specifically can threaten the sexuality of straight men, who initially recognise our womanhood only to turn on us when they find out the way in which we deviate from the norms of women (this, along with other prejudices against trans women, is called “transmisogyny”).

Rowling seems to be aware of the obscene violence trans women face, but opposes including us in any of the protections from male violence that cis women have, arguing that doing so would ruin the safety of women’s spaces. (Violence against trans men doesn’t get a mention, because Rowling insists trans men are women and only face violence as women, while advocating for the violent approach of not allowing trans-masculine people to medically transition.) She invokes “women’s rights” as a way of reframing the argument that trans people shouldn’t get to exist in public spaces. This strategy, coupled with the refusal to listen to how her ideas might harm trans people, means Rowling and those who think like her can push an anti-trans agenda with a veil of innocence.

As it stands, trans people have the right to use whatever gendered spaces they want, and yet almost invariably trans people avoid places like public changing rooms – sometimes avoiding using bathrooms to the point of developing urinary infections – because we don’t want to risk being harassed or assaulted.

September 12, London, England: Trans Pride march (Photo: Maciek Musialek/NurPhoto via Getty Images)

I spoke to Jackie Clark of The Aunties, a group supporting survivors of domestic violence and abusive relationships, for her thoughts on the idea that safety for trans women infringes on the safety of vulnerable cis women. “That’s spurious, and completely untrue,” she said. “Domestic violence is really gendered, and that doesn’t mean that cis men are just beating up cis women, it means that many cis men have a problem with how they treat their partners.” In other words, gender-based violence affects everyone who isn’t protected by patriarchy. Classifying this sort of violence as “women’s issues” leaves vulnerable gender-diverse people unprotected.

On shelters for trans survivors of abuse or violence, Clark said, “what really offends me is that there aren’t spaces for trans and nonbinary to go. A trans woman has every right to go to a women’s refuge, but most would never risk it because they’re afraid of being rejected or ridiculed.” Noting that in the 80s, policing of women’s spaces would even exclude some cisgender women for being “butch dykes,” Clark argues that gender should not be policed, and that calling a safe space for survivors a “women’s shelter” is ultimately a disservice to the many people who aren’t cis men who can be excluded by that label. Instead, she believes they should be simply called “shelters”.

But for now, the reality is that trans and nonbinary people aren’t making shelters unsafe for cis women – cis women are making them unsafe for trans and nonbinary people, reinforcing a patriarchy that doesn’t just sexistly privilege men over women, but also prioritises those who conform to gender norms, privileging cis people over trans people.

It’s worth noting that most popular articles published so far criticising Troubled Blood have made an effort to distance the transgender community from the killer, referring to the character as a “transvestite’ or as a cis man in a dress. While the common conflation of a transgender woman expressing her womanhood and a cisgender man expressing his femininity (and vice versa for trans men and butch women) is a real issue, nobody should throw crossdressers under the bus. At the same time, Rowling’s assertion that some trans women are just “men in dresses” is harmful to transgender people because of how it excludes us from spaces and services we may need. It also excuses violence we may face as a consequence of this conflation. Untangling the public conception of trans women and crossdressing men is only part of the solution. Nobody deserves to be treated badly for how they present themselves.

June 28, Minneapolis, US: Black trans rights were a focus of this Pride march (Photo by Brandon Bell/Getty Images)

Ultimately, despite Rowling’s claims to support and have sympathy for the occasional trans person, she is arguing for the right of her and all other cis people to judge whether any given trans person is “really trans”. Similarly, she claims to care about trans children, while asserting that children should not be allowed to transition because they cannot know who they are, that their self-asserted gender isn’t real – never mind that medical intervention for youth is reserved for acute distress in teenagers who have to fight hard to get it, and never mind that virtually every trans person cites being forced to grow up as somebody other than who they are as a huge source of trauma.

Furthermore, Rowling believes it acceptable, or even necessary, to misgender any trans person who chooses a transition that does not involve medical aid. You cannot support trans women when at any moment you are willing to dismiss a trans woman’s experience by calling her a “man who believes or feels he’s a woman”. Here Rowling, who herself writes that she often doesn’t feel particularly womanish, indulges in cissexism, a common form of discrimination against trans people, where cisgender people’s feelings and knowledge of their gender is considered more authentic or reliable than transgender people’s self-knowledge.

Cissexism, unfortunately, has a much darker impact on trans lives and wellbeing than whether or not trans people are gendered correctly by people we meet. Many medical professionals, scientists who defined what trans healthcare looks like, and public intellectuals refuse to take transgender people’s accounts of ourselves seriously. If it appears that there are suddenly so many transgender people today, that’s because early trans healthcare would not grant any aid in medical transition to transgender people who didn’t perform their gender “convincingly” enough. Even then, support was only granted if they believed the trans person would never be misrecognised as the gender they were forced to act as at birth. Even then, trans people were often barred from care unless they were willing to leave behind everyone who ever knew them behind to go “stealth” – permanently closeted. The establishment had control over our lives. They got to control our narrative, how we were defined, what “makes” a trans woman, or trans man. Today, this leads to people like Abigail Shrier, who is not a social researcher, nor a scientist of any kind, who has no authority with which to speak on transgender people, writing a book like Irreversible Damage and being taken seriously. Cis non-experts can outright lie, or grossly misunderstand and misrepresent any facts about trans people, yet be listened to, cited, given a platform. By contrast, actual trans people’s experiences are ignored or dismissed out of hand. Academics would call this an example of “epistemological violence”.

So the real threat that Rowling signifies to transgender people goes a lot deeper than the personal loss of a childhood hero or the re-seeding of harmful anti-trans propaganda. The fact that Rowling is even considered part of the conversation on transgender people and our wellbeing is a consequence of the standing assumption that cisgender people are more able and qualified to speak on transgender people and our lives than we are. And the conversation too many cisgender people want to have is not a conversation about our hardships but a conversation about cisgender people’s delusional fears. It’s time to start listening to the real experts on trans issues: trans people.

Keep going!
Crocodiles! They’re everywhere in NZ writing right now: The Absolute Book, The Quick and the Dead, The Girl in the Mirror, Across the Risen Sea … (Photo: Getty)
Crocodiles! They’re everywhere in NZ writing right now: The Absolute Book, The Quick and the Dead, The Girl in the Mirror, Across the Risen Sea … (Photo: Getty)

BooksSeptember 18, 2020

The Unity Books bestseller chart for the week ending September 18

Crocodiles! They’re everywhere in NZ writing right now: The Absolute Book, The Quick and the Dead, The Girl in the Mirror, Across the Risen Sea … (Photo: Getty)
Crocodiles! They’re everywhere in NZ writing right now: The Absolute Book, The Quick and the Dead, The Girl in the Mirror, Across the Risen Sea … (Photo: Getty)

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books’ stores in High St, Auckland, and Willis St, Wellington.

AUCKLAND

1  Hope in Hell: A Decade to Confront the Climate Emergency by Jonathon Porritt (Simon & Schuster, $38)

Consider it a helpful, solutions-based chaser to David Wallace-Wells’ 2019 fiery, befuddling shot, The Uninhabitable Earth.

2  Ottolenghi: Flavour by Yotam Ottolenghi and Ixta Belfrage (Ebury, $60)

Noor’s black lime tofu. Oven chips with curry leaf mayonnaise. Curried carrot mash with brown butter.

3  The Lying Life of Adults by Elena Ferrante (Europa Editions, $37)

“The new novel is suspenseful and propulsive; in style and theme, a sibling to her previous books. But it’s also a more vulnerable performance, less tightly woven and deliberately plotted, even turning uncharacteristically jagged at points as it explores some of the writer’s touchiest preoccupations.” – the New York Times

4  Intimations: Six Essays by Zadie Smith (Penguin General UK, $16)

“As a sort of post-postscript, Smith includes a numbered list of names, beginning with her parents and brothers and running through friends, lovers, her husband, her children, and such role models as Muhammad Ali, Lorraine Hansberry, and Virginia Woolf. Each name comes with description of the debts Smith owes that individual, from her father’s ‘readiness to admit failure and weakness’ (so that’s where that came from) to ‘Sistahood’ and the ‘practical morality’ of remembering and honoring everybody’s birthday. These are people too, she’s telling us, and look at the strength and love of which we are capable.” – Slate

5  Māori Made Fun by Stacey and Scotty Morrison (Penguin, $25)

A puzzle book. Stacey told RNZ: “[It helps us] realise that there’s playfulness in the reo … it’s one of the parts of the reo we sometimes miss. We talk about how deep it is, how spiritual it is, but it’s very playful and very fun.

‘Your kids will feel good that they know as much or even more than you. That’s the playfulness that we want to encourage … this gives you a chance to do something together where Māori is part of your life. It’s a tiny but impactful way that you can do that.”

6  Hamnet by Maggie O’Farrell (Headline Publishing, $38)

Just-announced winner of the 2020 Women’s Prize for Fiction. From The Guardian:

“Hamnet beat novels including the third in Hilary Mantel’s Wolf Hall trilogy, The Mirror and the Light, and Bernardine Evaristo’s Booker prize-winning Girl, Woman, Other, to win the £30,000 award.

‘I keep thinking it must be some kind of elaborate prank. There wasn’t really any particle of me that thought it would happen. Being on the shortlist was kind of enough and it never occurred to me they would choose my book,’ said O’Farrell.”

7  The Girl in the Mirror by Rose Carlyle (Allen & Unwin, $33)

A thriller involving messed-up twins, a really messed-up will, crocs and a sailboat. (If you’re into crocodiles and sailing, might we also recommend Bren MacDibble’s new cli-fi, Across the Risen Sea.)

8  Searching for Charlie: In Pursuit of the Real Charles Upham VC & Bar by Tom Scott (Upstart Press, $50)

“I predict this book is going to become a best seller.” – NZ Booklovers

9  Humankind: A Hopeful History by Rutger Bregman (Bloomsbury, $34)

Counterpoint: JK Rowling.

10 Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake (Bodley Head, $40)

Merlin Sheldrake.

WELLINGTON

1  Bill & Shirley: A Memoir by Keith Ovenden (Massey University Press, $35)

“As she aged, adrift on a sea of melancholy mixed with bitterness, and occasionally anger about the past, she had not really looked after either herself or her possessions, chief among which were her papers, both professional and private. Stored unsorted in some 30 or 40 cardboard boxes, they were put into storage when her house was cleared, and it was not until 2007 that I was able to go through them and prepare those of any public interest to go to the Alexander Turnbull Library. They turned out to contain some surprises, many of them rather stimulating.”

2  Hiakai: New Māori Cuisine by Monique Fiso (Godwit, $65)

Rēwena flatbread with tītī fat butter. Crumbed avocado, karamū vinaigrette. Raw Bluff oysters, wakame, oyster emulsion.

3  Ottolenghi: Flavour by Yotam Ottolenghi and Ixta Belfrage (Ebury, $60)

The Lying Life of Adults by Elena Ferrante (Europa Editions, $37)

Imagining Decolonisation by Rebecca Kiddle, Bianca Elkington, Moana Jackson, Ocean Ripeka Mercier, Mike Ross, Jennie Smeaton and Amanda Thomas (Bridget Williams Books, $15)

This book has been on the charts for so long now probably half of Aotearoa has a copy.

6  Māori Made Easy for Everyday Learners by Scotty Morrison (Penguin, $38)

Follow along with Ātea editor Leonie Hayden.

7  Tree of Strangers by Barbara Sumner (Massey University Press, $35)

Sumner is a filmmaker who lives in Napier; this is her memoir about growing up adopted and searching for her biological mother. It’s also a work of activism against the system that she argues “[denies] the rights of the adopted person”. And it’s gorgeous:

“I often wonder about touch. I remember the feel of each of my babies and their absolute softness. The little dip at the back of Bonnie’s neck. Rachel’s warm cheek, and the smattering of freckles down Ruth’s spine.And later, when Lili was born, that tiny fold behind her ears.

Each of them sought me out instinctually, turning towards my voice, their eyes widening at the smell of breast milk. Their fingers moving in the air as freely as dust motes.

I try to imagine Mavis holding me at ten days old. Her new mother nerves and the stranger child. Did she clasp me tight or hold me away from her body?”

8  The Girl in the Mirror by Rose Carlyle (Allen & Unwin, $33)

9  Piranesi by Susanna Clarke (Bloomsbury, $30)

After 15 years, a longed-for follow up to Jonathan Strange & Mr Norrell. Clarke, who has been mysteriously ill for much of that time, told The New Yorker: “Several people have pointed this out to me – that, having written a long book in which there was a nineteenth-century illness, I then had a nineteenth-century illness. Or that I wrote a long book in which there was this sort of enchantment, and then fell into this strange enchantment myself. It’s absolutely right.” She joked, “You really shouldn’t annoy fairies, or write about them – they don’t like it very much.”

10 The Kingdom by Jo Nesbo (Harvill Secker, $37)

A “twisty standalone”, per Publishers Weekly.