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Radiographic Marker in Lumpectomy Specimen (Image: Ed Uthman, CC BY 2.0 via Wikimedia Commons
Radiographic Marker in Lumpectomy Specimen (Image: Ed Uthman, CC BY 2.0 via Wikimedia Commons

BooksNovember 27, 2022

Lumpectomy

Radiographic Marker in Lumpectomy Specimen (Image: Ed Uthman, CC BY 2.0 via Wikimedia Commons
Radiographic Marker in Lumpectomy Specimen (Image: Ed Uthman, CC BY 2.0 via Wikimedia Commons

Tina Makereti has won the Landfall Essay Competition for 2022 with a powerful exploration of her personal experience of breast cancer, sickness, wellbeing, work and stress. Here we share an excerpt from it.

“This essay is a way for me to make meaning from my experience of cancer, to laugh about it, and to ask questions about what we’re missing when we think about sickness and wellbeing.” – Tina Makereti

“It is one thing to say that we need to address the conditions that cause such high rates of stress. It’s much deeper and more imperative to say, instead: we need to address the conditions that cause particular races, genders, sexualities, and classes to suffer from the stress that causes such high rates of cancer. We’re in the realms of mortality now, where political rhetoric and the culture wars don’t fucking matter: these are the conditions that cause terminal illnesses.” – Lynley Edmeades, Landfall editor and competition judge

Lumpectomy

For a while, I call her Frankenboob. After surgery, she has three gnarly scars, if you count the one in the armpit where the sentinel lymph nodes were removed, which I do, plus another lighter mystery wound where something else happened, who knows what. She is also bright blue in one big patch, from the radioactive substance they injected to find the sentinel nodes—a sentence I can’t write without thinking of The Matrix. Much later, when I’m beginning radiotherapy, they explain there are titanium clips throughout Frankenboob too, placed there by the surgeon to indicate where cancer has been, or is likely to develop, so they can boost the area with extra beams of targeted radiation if they deem necessary, which they do, since I am young. One of the surprise benefits of cancer is how often people tell me I’m young. The oncologist and the registrar share an affectionate giggle when they note how blue my breast remains several weeks after surgery. They are both immigrant women, and I’m pleased to be in their company. This is what women can do, no matter where we’re from, laughing about a blue boob— with no men to concern us.

It started, as it always does, with a lump. And then a mammogram, which showed nothing untoward, according to the attending doctor. It was the technician doing the follow-up ultrasound who identified some problematic masses, which meant she had to consult with the mammogram doctor and he had to have a feel. Having started the day thinking the appointment was going to be routine, I hadn’t shored myself up for some invasive touching, so it was deeply alarming, but at subsequent visits, I get used to it. The appointments always go like this: can I feel it? Did a mammogram find it? Did you find it? No, I always reply, the mammogram didn’t find it. Yes, it was me. No, I wasn’t doing a routine check. Maybe I was showering, or tweezing or something, I can’t remember. One day it was just there.

‘We always do a biopsy when we find masses like this,’ the mammogram doctor said, in such a reassuring way that I assumed everything was fine. By this point I was pretending very hard that nothing was happening anyway, so I quietly chose to ignore the technician’s expression.

At the time, it seemed unlikely. No one in my family has had breast cancer.

I breastfed two children for nearly two years each, smug in the knowledge that this would decrease the likelihood of getting it. In 2020, I spent a large amount of money on an integrative medical doctor who conducted a barrage of tests to try to pinpoint the cause of my chronic stress and ongoing fatigue (aside from, you know, work). We tested my blood and my breath and my poop, re-engineered my diet and took inventory of my life from birth. There were some red flags in that, to be sure, but no cancer.

For a few days, I went on with my life. I was too busy to worry. Then my GP called and left a message in a sad voice saying she was there if I wanted to discuss anything. She ended the call with “I hope you’re okay.” I was suddenly, alarmingly, not okay. I called her back, and she patiently answered my questions, both of us somewhat concerned that the mammogram doctor hadn’t made it clear that there were definitely Things To Worry About. A day or so later I received the first report of many via the Manage My Health website. “Findings here are probably malignant”, it said for one lesion, “this is also suspicious for malignancy” it said for the other. Despite my propensity for optimism and my denial that this could possibly be happening, I knew it was unlikely to be wrong.

“I love my breasts,” women with breast cancer often say when explaining their decision to seek breast-conserving surgery or have reconstructive surgery. I know that one of the reasons I found it hard to imagine that I had breast cancer, one of the reasons I wasn’t entirely sure I believed it even when I was having treatment for it, is that my breasts have been, on the whole, benevolent: forces for good, not evil; nurturing not only children but relationships and body image and identity. Long before I ever contemplated the possibility of losing my own breast/s, I found that Tig Notaro joke hilarious, the one she made after her double mastectomy, about how her breasts got sick of her making jokes about their size, and decided to kill her. How else do we come to terms with murderous breasts, but to laugh?

You can read the full essay in Landfall 244 (Otago University Press, $30) which can be purchased from Otago University Press, and from Unity Books Wellington or Unity Books Auckland

Keep going!
Big week for black and white book covers (Image: Tina Tiller)
Big week for black and white book covers (Image: Tina Tiller)

BooksNovember 25, 2022

The Unity Books bestseller chart for the week ending 25 November

Big week for black and white book covers (Image: Tina Tiller)
Big week for black and white book covers (Image: Tina Tiller)

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books’ stores in High St, Auckland, and Willis St, Wellington.

AUCKLAND

1  A History of New Zealand in 100 Objects by Jock Phillips (Penguin, $55)

The best new way to learn about our history: one fascinating object at a time. You couldn’t find a more appropriate history buff Christmas present if you tried, so we expect this one to loiter happily on the list for quite some weeks.

2  Small Things Like These by Claire Keegan (Faber & Faber, $23)

“In the town of New Ross, chimneys threw out smoke which fell away and drifted off in hairy, drawn-out strings before dispersing along the quays, and soon the River Barrow, dark as stout, swelled up with rain.

“The people, for the most part, unhappily endured the weather: shop-keepers and tradesmen, men and women in the post office and the dole queue, the mart, the coffee shop and supermarket, the bingo hall, the pubs and the chipper all commented, in their own ways, on the cold and what rain had fallen, asking what was in it – and could there be something in it – for who could believe that there, again, was another raw-cold day?”

An absolute beauty, this novella. And so timely! It’s set in 1985 (that’s not the timely part) in the lead up to Christmas (that is). 

3  Straight Up by Ruby Tui (Allen & Unwin, $37)

Straight up, this is the memoir of the moment. 

4  The Seven Moons of Maali Almeida by Shehan Karunatilaka (Sort of Books, $37)

This year’s Booker Prizewinner, and an absolute zany riot. Set in Sri Lanka’s 1980s Civil War and narrated by a dead man on a quest, it’s a novel the Guardian calls “compelling”, “vivid” and “absurd.” But that’s not all: “Beneath the literary flourishes is a true and terrifying reality: the carnage of Sri Lanka’s civil wars. Karunatilaka has done artistic justice to a terrible period in his country’s history.”

5  Lucy by the Sea by Elizabeth Strout (Viking, $37)

Our brilliant heroine Lucy Barton in lockdown. 

6  The Philosophy of Modern Song by Bob Dylan (Simon & Schuster, $60)

Bob Dylan’s first book since winning the Nobel Prize for literature, brimming with over 60 essays about the nature of popular music and the human condition. Dylan’s essays examine songs by artists including Elvis Costello, Nina Simone and Stephen Foster, and are accompanied by over 100 photographs. The New York Times says: “[The Philosophy of Modern Song] is less a rigorous study of craft than a series of rhapsodic observations on what gives great songs their power to fascinate us. Dylan … worked on these for more than a decade, though they flow more like extemporaneous sermons.”

7  Wawata – Moon Dreaming: Daily Wisdom Guided by Hina, the Māori Moon by Hinemoa Elder (Penguin, $30)

The new book from the author of Aroha teaches us how to use the Māori moon as a guide. This from Jessica Hinerangi Thompson-Carr’s review on the Spinoff: “There is a focus on female humour, and the power of the female body and sexuality, particularly under the Ōturu moon. I love how Elder recognises that our tūpuna could have a really good laugh about sex, whilst standing firm in their sexuality and fierce in their desires. She encourages us to carry this same confidence and good humour into our own modern day lives.”

8  Kurangaituku by Whiti Hereaka (Huia Publishers, $35)

The traditional story of Hatupatu and the bird woman is told from two perspectives in this award-winning local novel. We loved it to bits. 

9  Build: An Unorthodox Guide to Making Things Worth Making by Tony Fadell (Bantam Press, $40)

Leisure reading for the entrepreneur in your life. 

10  Aroha: Māori Wisdom for a Contented Life Lived in Harmony with our Planet by Hinemoa Elder (Penguin Random House, $30)

Hinemoa Elder’s bestselling book from 2020 is still a bestseller.

WELLINGTON

1  Comrade Bill Anderson: A Communist, Working-Class Life by Cybele Locke (Bridget Williams Books, $50)

Unity Books Wellington recently hosted the launch of Cybele Locke’s new book, which is both a biography of significant trade unionist Bill Anderson and a history of socialism in the post-World War Two era. A morsel from the publisher’s blurb: “The histories of working people, of organised labour, and of left-wing movements are too little told in Aotearoa New Zealand. Writing with insight and empathy, Cybele Locke has provided a highly readable account of a communist union leader navigating the social and political turmoil of the twentieth century.”

2  The Seven Moons of Maali Almeida by Shehan Karunatilaka (Sort of Books, $37)

3  I’m Glad My Mom Died by Jennette McCurdy (Simon & Schuster, $45)

The page-turning celebrity memoir of the moment, by ex-child actor Jennette McCurdy. Reviewers have been more than pleased: “a triumph of the confessional genre”, says the Atlantic. 

4  A History of New Zealand in 100 Objects by Jock Phillips (Penguin, $55)

5  The Philosophy of Modern Song by Bob Dylan (Simon & Schuster, $60)

6  The Passenger by Cormac McCarthy (Knopf, $50)

New fiction by the 89-year-old author of The Road and No Country for Old Men. Its companion novel, Stella Maris, is set to be published in just over a week as well. 

7  Demon Copperhead by Barbara Kingsolver (Faber & Faber UK, $37)

A retelling of David Copperfield by the wonderful Barbara Kingsolver. A snappy summary from the Financial Times: “Barbara Kingsolver’s updating of David Copperfield — Dickens’ most autobiographical novel — relocates the action to Appalachia to tell the story of an orphaned boy through the prism of the opioid crisis. While Kingsolver’s moralising instincts are clear from the off, Demon Copperhead is nonetheless a vivid — and entertaining — portrait of modern America.”

8  Wawata – Moon Dreaming: Daily Wisdom Guided by Hina, the Māori Moon by Hinemoa Elder (Penguin, $30)

9  Needles & Plastic: Flying Nun Records, 1981 – 1988 by Matthew Goody (Auckland University Press, $70)

A history of the famous Christchurch record company’s turbulent early years. You can read an excerpt about all-female group Marie And The Atom right here on The Spinoff. 

10  Greta & Valdin by Rebecca K Reilly (Te Herenga Waka University Press, $35)

Recommended reading for fans of Greta & Valdin: these two Sunday Essays Rebecca K Reilly wrote for The Spinoff.

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Joel MacManus
— Wellington editor