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FeaturesDecember 19, 2014

2014 in Review: The Best New Zealand Shows of the Year

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We polled our esteemed writers and painstakingly tallied the votes. Now the results are in: here are what we judge to be 2014’s ten finest New Zealand shows.

1. The Late Night Big Breakfast

Undoubtedly the best TV made in New Zealand this year, The Late Night Big Breakfast is an insane furniture store-based breakfast-style show. The dream team of Leigh Hart, Jason Hoyte and Jeremy Wells take it to soft furnishings and beyond with their rapid fire interviews with bewildered guests, informercial heavy breaks and jandal-melting segments such as Kraft Korner. It’s a pitch perfect parody of Rawdon and co – and anything that includes endless Mongolian Throat Singing is a winner for sure. / AC

2. Neighbours at War

Neighbours at War presents a vision of New Zealand as a bunch of half-mad ferals, forever arguing over driveways, fences and foliage. It’s like an anti-tourism campaign, a matchless window into our lives and living rooms. Even now, with many of the episodes one-sided, it remains endlessly compelling. / DG

3. Shortland Street

There’s no denying that we love it. Stacking five nights a week with drama, explosions, deaths and always with the strong backbone of social conscience and responsibility, there’s a reason Shortland Street is our longest-running soap. Stand up and be proud of it. Do it for Sarah Potts (RIP). /AC

4. The Crowd Goes Wild

I have visited the CGW offices, and can confirm that they are essentially a glorified broom cupboard. With barely any glorification. But in those parlous surrounds a small but fanatical team produces a smart, very funny and often weirdly soulful vision of sports and those who play it. / DG

5. Jono and Ben at Ten

In terms of its marketing and presentation, JABAT looks pretty daggy: a televisual analogue to FHM, or something. But watching it each week you get a sense of just how much more there is to it. The sketches (Speed Dating) and musical pieces (‘F*** that Dad’) are often brilliant, but it’s the interplay between the on camera talent which keeps you hooked. The charming boorishness of Jono and Ben versus the more contemporary cynicism of Rose Matafeo and Guy Williams works both as both banter and a slow but inevitable torch-passing between two generations of New Zealand television comedy. / DG

6. Police Ten 7

Like Neighbours at War, Police Ten 7 shows New Zealand as it is, not as it aspires to be. Drunk, angry, silly, sloppily dressed and a little out of control: yep, that’s us. While produced by the police and presumably intended as some sort of anti-crime tonic, the show has evolved to become a source of endlessly entertaining dark New Zealand comedy, improvised around the country every night.

7. Coverband

It’s not often that New Zealand comedy shows make it big, and with Coverband getting picked up for U.S. development shortly after it aired, it’s got to be doing something right. Starring Johnny Barker, Matt Whelan and an acting debut for Laughon Kora of Kora fame, it’s a sticky, pub beer-fuelled ride through the unseen world of the cover artiste.

8. The Nation

Election years always seem to ratchet up our tribal tensions, and this year’s sordid and animalistic edition did so to a near unbearable degree, as if we were all seized by a collective madness. Every Saturday morning I sat down to watch Paddy Gower and Lisa Owen wrestle with the thing, and gazed on shock and awe. The pair were inspired casting, contrasting his bug-eyed fervour with her cool intellect, and the whole team delivered drama and analysis week in, week out.

9. 7 Days

This current events panel show of NZ comedy stalwarts isn’t going anywhere soon. Between the dusty Hamilton jokes lie moments of pure improvised hilarity – Dai Henwood’s endless ditzy rants spring to mind, as do Josh Thomson’s yelled monologues. With a rotating cast list bringing in the new standup generation it also does a fine job of fostering our comedic talent. / DG

10. Campbell Live

With John Campbell on his way to a near-certain OBE, Campbell Live is well deserving of a place in the top ten. I was hooked this year – from the continuing coverage of Christchurch and Pike River, to a ridiculous episode-long live cross of Tim Shadbolt eating cheese rolls and laughing, it’s a true national treasure. / AC

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FeaturesDecember 19, 2014

2014 in Review: The Best International Shows of the Year

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We polled the Spinoff writing team and hauled out the ol’ abacus to tally the results. The results are in: these are the ten best international shows of 2014.

Broad City

This surrealist journey following two twenty-somethings stumbling through life in New York City is like Girls dipped in optimism, Dorito-dust and pure hilarity. Despite stepping frequently into scenes of absolute absurdity (that package delivery episode! the real estate agent!), it’s the most genuine representation of female friendship I have ever seen on screen. Broad City is a celebration of being young, lost and not giving a shit, without the champagne sheen of Gossip Girl or whatever other shows there are out there about young people. / AC

Mad Men

The first half of the final season showed Draper broken and humbled, brought low by forces which traversed time, gender and family. While less immediately dazzling than its predecessor, its work with ageing and the fleeting nature of talent and energy were beautifully articulated. There is a sense that this show, at once revolutionary and traditionalist, has gotten comfortable with its place in the world, and was exhaling ahead of its final push. But Mad Men is so ludicrously strong that even when cruising it was magical. / DG

True Detective

Alright alright alright! One of the many twinkling jewels in the McConaughnaissance crown, this gritty crime drama squashed the whole television world into a flat circle and ate it for breakfast. Following a serial killer case over 17 years, the hunt for the yellow king gave way to some of the best onscreen performances, and ponytails, of 2014. / AC

Game of Thrones

George RR Martin tweeted earlier this year that a brilliantly staged early-season death was merely one of a number of bombs coming. That never quite happened, but the sense that the key characters, having been flung to the four winds, are now inexorably converging gave it a gripping momentum which built right through to its now-routine monumental closeout. / DG

Silicon Valley

Based on the creator Mike Judge’s real-life experience in the technology industry, this look inside the world of the startup company is made doubly hilarious by the stellar cast of Next Big Thing comedy stars. Featuring the likes of Thomas Middleditch, TJ Miller, and hound dog Gabe from The Office, it’s packed with likeable characters in a bizarre and interesting new world rarely seen in comedy (computers and that). / AC

The Knick

When Steve Soderbergh announced he was quitting movies last year, it confused many: why would a guy so driven, talented and productive drop it all while still so young? The Knick was the answer – he’d figured out the TV was where the action and freedom was, and came to make one of the year’s best new shows. Clive Owen stars as a drug-addicted surgeon in turn of the century New York, and everything from the soundtrack to the generous gore is the product of immense thought and vision. / DG

Transparent

The Amazon original series was widely acclaimed as the year’s best new show, with Jeffrey Tambor playing Maura, a trans woman slowly revealing her new identity to her shambolic adult children. It’s a “comedy” full of truly beautiful moments as well as heartbreaking drama, with Tambor’s Maura remaining the calm centre of the family storm throughout.

Orange is the New Black


Heralded as one of the most groundbreaking shows on television at the moment, Orange is the New Black follows Piper Chapman as she falls from middle class suburbia to the depths of a women’s prison. Depicting women of various ethnicities, sexuality and class through the huge ensemble cast, the bravely unique characters are the beating heart of this incredible show. / AC

Louie

Louis CK’s comedy about himself crested in 2014, but only because the leaps made during seasons two and three took the show way out into the cosmos, and it’s not at all certain there’s much more to explore in Louie-ville. The tone stayed dark and brutal, with CK’s self-loathing to the fore. But that strange combination of profound, heavy cynicism coupled with a near-childlike zest for life’s grubbiness ensures the show remains one of the most original and compelling anywhere. / DG

Nathan For You

One of the simplest yet most original ideas for a reality/comedy show in years. Take a business “expert” (the deadpan Nathan Fielder) and get him to save failing stores, zoos and mall santas with his ridiculous genius ideas. Yoghurt store in trouble? Try a poo flavoured yoghurt! Santa out of work? Take discount photos all year round! Even more hilarious than Nathan are the unreal characters that he meets along the way, from enraged customers to the blissfully unaware aspiring shop owners. It’s just, really great. / AC

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