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a grean background with a red present with a big x over it
Down with store bought wrapping paper! (Image: Tina Tiller)

SocietyDecember 14, 2023

Hear me out: Don’t wrap your Christmas presents

a grean background with a red present with a big x over it
Down with store bought wrapping paper! (Image: Tina Tiller)

Wrapping paper grinch Shanti Mathias makes the argument for not wasting your one wild and precious life concealing gifts with tree carcasses.  

I lived with someone once who was very good at wrapping presents. She was meticulous about it. She would cut out the shape relative to the object, tuck the ends in, maybe tie it up with a ribbon. It was amazing to watch, partially because it was the kind of skill that I had previously thought belonged only to retail workers who had graduated from the Association of Advanced Gift Wrapping.

Watching my flatmate seal her gifts, I felt a kind of envy, but also a tidy realisation. Some people actually like wrapping presents. They do not consider wrapping paper inherently futile. I am not bad at wrapping presents, but whenever I do it, I am filled with annoyance. Why cover an object with paper only for it to be wrenched off again? 

But it’s about anticipation, you say. It’s about looking at something and experiencing the mystery of not quite having it yet even though it is before you: the thing that is real now, but not yet revealed to us fully. Maybe you can turn wrapping paper into a story about how Jesus looked like a person, but was actually God on the inside and that colourful exteriors actually remind us about the reason for the season. Good work paying attention in Sunday School, but wrapping paper is still inherently pointless. 

a red background with hhands holding a wrapped present
Is this how you want to spend your short life? wrapping objects just so they can be unwrapped again? Getty Images

What does wrapping paper do? It conceals the object so it can be revealed again at the right time. Wrapping paper is opaque and beautifying. It is a disguise; it makes the object within not into something else, but into latent possibility. It pretends that the object does not exist until it is received by its intended person. It is healthy to have encounters with the unknown in your everyday life, but consider the resources of soil and sunshine, chemicals and electricity, petrol and water and most of all human labour that it takes to wrap presents in purpose-made dead tree pulp. 

There are other ways to achieve gift concealment without buying a roll of wrapping paper wrapped in plastic to unwrap and then rewrap presents. To start with the obvious ones: reuse wrapping paper you’ve already been given and saved because you came from a reusing wrapping paper household. Or those brown paper bags from the supermarket. Newspapers work, too, and also gives your recipient a reminder of how useful news is, in multiple senses. You could paint or decorate these items, and a thousand homeschooling parents have probably written blogs on this very topic, but since they’re destined for the bin either way, why waste your time? 

If you’re interested in something more elaborate and actually reusable, why not wrap your presents with fabric? If it were up to me, I would probably just tie a jumper in a lump around the object I am presenting, but this can be annoying if it is your favourite jumper and you are concerned the gift recipient won’t give it back. Perhaps there is someone in your life with a collection of scarfs from the innocent days when they thought they were a scarf person and hadn’t realised that wearing scarves oppresses the neck and makes them look like an abandoned scarecrow, and that person could give you some of their scarves to conceal your gifts with, the only caveat being that they would like them back as a reminder that they are a person who is capable of changing over time. There’s some art of cloth tying that somehow makes a cornerstone of every human culture (covering bodies or other things with strips of flexible material) extremely elaborate, and you might have an ex with too many hobbies who would like to tell you about how to do this. It’s nice that fabric can be reused, but again I say: why bother? 

wiman wrapping christmas presents
A tree had to grow that paper! energy and time had to be used to make it! And for what? (Photo: Getty Images)

It’s impossible to start thinking about the scourge of wrapping paper without thinking about the system of gifts themselves. Don’t get me wrong: I love giving presents, and I love receiving them too. It is deeply lovely to have a physical object as a representation of someone’s thought and care about you, even if it was not the exact thing you thought you wanted. While wrapping paper might turn a real thing into a waiting possibility, the truth is that these objects are still real, produced in a world of widening inequality and environmental degradation. Well-off New Zealanders give and are given more things than we need, while many go without. Wrapping objects, kilometres and kilos of paper and sticky tape that is rubbish even when you buy it, is a particularly stark reminder of this. 

So I have another suggestion: if you want to achieve the effect of both decorating and concealing an object, don’t wrap it in anything at all. Instead, reckon with it as a real, physical thing. Our houses are full of opaque surfaces ideal for concealment, like walls and doors. Live with the object you are giving for a while, but not so long that you start to want to keep it. When the time comes to give it, retrieve it from where it has been hidden and place it behind your back. Walk towards the person receiving the gift; if you want to add some drama, you can ask them to pick a hand. At the moment when they are ready, take the object from behind your back and present the present in the present. You are yourself opaque (hopefully). You are yourself decorative, and much more unique than mass-produced wrapping. There’s no need to have paper involved at all. 

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Keep going!
Patricia Highsmith, a magician of spite. (Image: Archi Banal)
Patricia Highsmith, a magician of spite. (Image: Archi Banal)

SocietyDecember 14, 2023

Help Me Hera: How do I stop ruminating over a rival and make art again?

Patricia Highsmith, a magician of spite. (Image: Archi Banal)
Patricia Highsmith, a magician of spite. (Image: Archi Banal)

I fell out with a creative collaborator and now she’s an industry It Girl. How can I move on and do my own thing? 

Want Hera’s help? Email your problem to helpme@thespinoff.co.nz

Dear HMH,

I can’t help ruminating on the success of my past creative collaborator.

I always thought being a nice person should be the priority in life, and yet I have seen her rewarded for her bullish, selfish, and manipulative behaviour. She is also very driven and confident, the latter of which are admirable qualities which I struggle to have. 

I am the reason we stopped making work together, which I did through ghosting her after I tried to share how I felt hurt by the way she had treated me. This included her saying things like, “I can’t bear to look at you,” yelling at me, and deleting what I had just written without reading it. 

I am afraid of being close to her and don’t want a relationship, but also can’t stop thinking about her. She is gaining some success and recognition at the moment; a real ‘it girl’ with a big social media following. And so I find myself constantly reminded of her and feeling as if I am a failure in her shadow. 

I love her and am grateful for how her ambition motivated me to create at the time. However, how do I put the energy I am constantly sending her way to my own practice? 

I want to re-find my voice as an artist and feel like the constant rumination is a big block to me doing that. I definitely struggle with a fear of failure and so I know that really this has nothing to do with her, but I also don’t know how to get past it. 

Yours sincerely,

Ruminating Artist

A line of dark blue card suit symbols – hearts, clubs, diamonds and spades

Dear Ruminating Artist,

It seems like you have two different problems here: how to rediscover your voice as an artist after a setback, and how to stop ruminating on a painful relationship breakdown. Two things which are incredibly hard to do in their own right. Let alone when they’re fused together, like some kind of horrible chimaera, with zero heads and two poisonous tails. 

For what it’s worth, it doesn’t sound like you actually ghosted this girl. You tried to tell her how you were feeling and she refused to listen. That doesn’t mean you were the reason your collaboration ended. In order to have a strong and enduring artistic relationship, you need to be able to discuss problems honestly. Even Klaus Kinski and Werner Herzog made the effort, when they weren’t actively plotting to murder one another. 

Maybe one day you’ll be able to talk about what happened. But it doesn’t sound like either of you are there yet. Honestly, she sounds like a nightmare. But being an unkind person doesn’t mean you can’t make good art; it changes the kind of art it’s possible for you to make. But for now, her having an allegedly bad personality is beside the point.  

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— Wellington editor

It must seem impossible to move on when you’re both in the same industry and she’s becoming a rising star.  Especially when you can’t go online without seeing her name every five minutes, or stumbling across a Vogue “50 things in my secret underground bunker” video. It might be worth trying to reduce the internal friction by muting her name, but it’s hardly a foolproof solution. If you work in the same industry, it’s inevitable she’ll crop up from time to time. 

Envy is one of those complicated emotions. On the one hand, it can be instructive; showing us what we’re lacking and desperately want. It can even, in the right circumstances, be galvanising. But it’s also a real pain in the ass. 

The internet is a uniquely unhelpful place when it comes to dealing with envy. Not only are you constantly bombarded by news of other people’s success, any advice on the subject is notoriously unhelpful. The internet is brimming with well-meaning but functionally useless advice, that boils down to “keep a gratitude diary” or “smile and get over it!” But difficult feelings don’t just vanish by having the right attitude or shining an industrial strength spotlight on them. Just because we know why we’re feeling a certain way, it doesn’t necessarily make the feelings any easier. 

The first thing I’d encourage you to do is go easy on yourself. Beyond making the sign of the cross every time your ex-collaborator’s name is invoked, and praying for her to be run over by a slow-moving tractor, the only thing you can do is surrender. You can’t banish horrible emotions by staring at a screenshot of a waterfall until you reach enlightenment, or bargaining them away. 

I wonder if one of the reasons you’re struggling so much is that you’re trying so hard to resist these feelings. Some feelings can’t be resisted. The best you can do is acknowledge you’re having a very normal and human response to a difficult situation. Instead of castigating yourself for feeling this way, try to acknowledge the situation makes you feel insecure, and there’s not a lot you can do about it. Think of the feelings as an old, incontinent donkey, who is always breaking into your house at inconvenient moments. There’s no point raging at the donkey. The donkey will just look at you with mournful brown eyes and piss all over your carpet. Instead, try making peace with the donkey. Say, “hello, you horrible donkey bastard, back again for more hay I see,” and then lead it gently back outside. 

For now, you and the donkey are stuck together, and you may as well try to treat it kindly, as a minor cognitive inconvenience you have to temporarily work around. The more you’re able to notice these thoughts without judgement and practise shrugging them off, the less emotional power they’ll eventually wield. It’s called mindfulness, and unfortunately, it helps. 

The second thing that might help is trying to decouple your own sense of artistic worth from this person’s success. Oh great, I hear you say. Another near impossible cognitive task. But the only way to do that is to build up your own artistic confidence. 

It’s hard to try to focus on making something brilliant when you’re in a slump, and paranoid that everyone else is so far ahead you’ll never catch up. The panic can be debilitating. But infuriatingly, the best remedy is to get to work, even if you don’t know what you’re doing. Even if you’re certain that what you’re doing isn’t any good. Even if you are only capable of putting raw and unfiltered feelings down on paper, and there’s nothing remotely artistic about them. 

It’s impossible to give concrete advice on how best to accomplish this, because all artists are motivated differently. Some people are uniquely inspired by rage and can drill down into the swamp, draw out the poison, and make something electrically nasty with it, like Patricia Highsmith, a magician of spite. Then there are people like George Saunders or Elizabeth Strout, who have that talent of transforming any instance of moral confusion into a kind of curiosity for forensically dismantling the human heart. But I’m also of the firm belief that not everyone needs to transform their bad feelings into art. For all I know, you might be making a whimsical video game about dragons. 

Part of the trick is figuring out what works for you. Are you able to harness feelings of competitiveness to your advantage? Or does that only depress you and cause you to give up and watch reruns of Frasier? Can you thrill yourself out of your slump by revisiting the work of artists who inspire you? Does it help to try and cultivate a posture of cognitive dissonance, where you convince yourself nobody is paying attention and will never read a sentence of your script? Will you work towards a deadline? Out of a sense of habit? For cake? For the grave? 

This is a really hard and fucked-up situation that almost anyone would struggle with. So forgive yourself for being humbled by it. Take your time. Pay attention to anything that lifts you out of that feeling of despondency, and motivates you to put that energy back into your own work.  And if you still can’t focus, why not write a play about two creative collaborators having a catastrophic falling out? If nothing else, it’s great source material. 

Wishing you the best of luck!

Want Hera’s help? Email your problem to helpme@thespinoff.co.nzRead the previous Help Me Heras here.