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Image: Tina Tiller / Katjana Grgicevich / Supplied
Image: Tina Tiller / Katjana Grgicevich / Supplied

Summer 2022December 26, 2022

To Jonny from Eli, with all my love and eternal thanks

Image: Tina Tiller / Katjana Grgicevich / Supplied
Image: Tina Tiller / Katjana Grgicevich / Supplied

Summer read: A straight man being so warm, open and kind to his gay mate on national TV really mattered, writes Eli Matthewson.

First published May 6, 2022

There was a moment during our samba dress rehearsal when Brodie Kane, Kerre Woodham, David Letele and I looked at each other in our Barbie-and-Ken-at-Miami-Beach looks, burst out laughing, and said “none of us can go home in these outfits”. Unfortunately, one of us did. Unfortunately for me, I was that someone.

I went into the elimination feeling confident. My dance partner Jonny and I were full steam ahead with our plans for the next few weeks. We had mapped out all of our rehearsals and every time there was a gap in the shooting day we were hard at work on moves for next week’s dance (a tango to Beyoncé’s ‘Sweet Dreams’, in devil make-up and black lace… may it rest in peace!) We were third on the leader board and we’d been first the week before, so to go home the votes would have to REALLY not be in our favour. Unfortunately, they REALLY weren’t in our favour.

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I was devastated. It wasn’t even the contest that I was gutted about; I had just loved learning to dance. To work on a new skill, as a fully grown adult, every day of the week, four or five hours a day, was an opportunity I have never had before and I know I’ll probably never get again. I looked forward to training every day and I came home energised from it. I would try and teach my boyfriend the moves I learnt, and every chance I had I’d be practising them, whether it was under the desk at work or in the line at the supermarket. I was obsessed, to the point where I am sure it was annoying to be around.

But I don’t think I would have loved the dancing so much if I hadn’t had the greatest teacher in the game. When I look back at this absolutely wild period in my life I know the thing I will always be most grateful for is working with the extraordinary Jonny Williams. I didn’t get a glitter-ball trophy, but I did get a new best friend which, as someone in my 30s, was not something I saw coming.

Three selfies of Eli Matthewson and Jonny Williams
Behind the scenes: Eli Mathewson and Jonny Williams (Photos: supplied)

And so, Jonny. From the bottom of my heart, thank you so much.

I am not naturally good at dancing. In my little experience with it I have always been a slow learner who cannot switch his brain off. I don’t know how you did it, but in just a few weeks you got me to a level I never thought I could reach. You layered the techniques so that every new step seemed achievable, and you were patient with anything I found difficult. When I was exhausted from breakfast radio you found ways to keep working with what little energy I did have. You have such eternal calmness about you that on performance days any stress I had about what we had to achieve would fade away the minute we met up.

The teaching was good, but the friendship is so much more. The more we worked together the more you honed in on what sort of comedy I love to make, to the point where half the stuff we were putting online was your idea. You made me laugh every single day. I got to learn not just about the world of dance, but about UFC and Fortnite and which gaming laptops are the best. I got to see what a fantastic dad you are every time your kids came to visit. I got to see the incredible support you and your wife Kristie give each other through the extremely stressful process of competing against each other. I got to see the admiration that all of your students have for you every day when they came in for their lessons.

In rehearsals (Photo: Katjana Grgicevich)

We didn’t even talk about the word “ally” until we were making a bloody TikTok in the third week of training, but you had been showing allyship in ways I could not believe since day one. It was in the way you and Kristie made sure to talk about “leader” and “follower” steps in every group rehearsal, never once calling them “girl” or “boy’ steps and correcting other people when they did. It was in the way you never once made a joke about having to get changed in the same room as me, you never made anything awkward even as we learnt the most intimate moves. It was in the routines you choreographed, which always put the fact that we were two men at the forefront, and which never had one of us “being the boy” as so many people were obsessed with asking us about. It was in the way you said “I love you bro”, without any hint of hesitation, on live TV in the midst of all that happened on Monday. But most of all it was the way that all of this came naturally, that you never once were trying to put anything on or do the “right thing”.

I could tell it all came from a genuine place, and that you had no idea how generous you were being, by how surprised you were by the response we received. After our first performance my inbox filled up with messages from people thanking us for what we had done. Teenagers who were inspired to come out by what they saw, parents with kids as young as four describing the impact we had on their whānau, and queer people who have waited years to see this on our TV screens. I can’t thank you enough because, as important as it is to see queer people being their authentic selves and living their best lives on screen, I think it was seeing a straight man be so warm, open and kind to his gay mate that has struck a chord with so many.

Dancing With the Stars has always been a talking point in the way it has brought discussions about masculinity to the forefront. Almost every year it’s been on we’ve seen the most masculine sportsmen win fans by showing their vulnerable side, and taking on a more gentle type of athleticism. I think those stories have been amazing, but I’m gutted our different take on masculinity did not receive the same response. To go home after a dance that came from the opposite angle, where I got to play tough sportsman and we were able to subvert male stereotypes… that stung. But it was so much fun. I have been on my own journey of unpacking all sorts of internalised homophobia from the last 30 years, and I probably only recently got to a place where I could let myself be excited about wearing pink and painting my nails. But you, you were happy to do all of it right away. I’m so grateful. Our looks were iconic.

The pressure cooker that is Dancing With the Stars is completely unique, and I know we won’t be seeing each other as much now; we’ll no longer talk every day. But I am so grateful to have you and your family in my life. Maybe we will get dance again soon. Or maybe you can just finally teach me how to play Fortnite.

I chose OutLine as my charity for the beautiful work they do providing support to the rainbow community. My time on DWTS is over but their work continues. We’ve all been so overwhelmed by the generosity of viewers since Monday, and if you’d still like to help, you can donate to OutLine here.

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Photo: Alex Casey / Design: Tina Tiller
Photo: Alex Casey / Design: Tina Tiller

Summer 2022December 25, 2022

Everything I learnt at Santa School

Photo: Alex Casey / Design: Tina Tiller
Photo: Alex Casey / Design: Tina Tiller

Summer read: With the silly season upon us, Santas around the country are going back to school. Alex Casey joins them.

First published November 19, 2022

One must be extremely careful when deploying the “ho ho ho” in public. “You must adjust the ‘ho ho ho’ to every situation,” advises Tony Hooper, the facilitator of Scene to Believe’s annual Santa School, from beneath his thick white beard. “Use the ‘ho ho ho’ to announce yourself, but make sure you do the ‘ho ho ho’ quieter around children. Some children fear the ‘ho ho ho’.” Thankfully, there are no kids present at Santa school, so he leads the group in a hearty ho ho ho session before breaking for morning tea – marshmallow Santas for all. 

But we’re getting ahead of ourselves. The very first rule of Santa school is that everyone must be called Santa. “First of all, I’m Tony and I’m Santa,” says Santa Tony, pacing around like he’s delivering a TedX talk. “But lo and behold, you’re all Santa too.” On an overcast Friday in the Auckland United FC clubrooms, a dozen aspiring and well-established mall Santas have assembled to brush up on their Santa skills before the silly season. But first things first: phones off. “The first person whose phone rings has to buy the beers,” Santa Tony laughs. 

Santa class (Photo: Alex Casey)

It’s been a tough few years for Santas. With Covid-19 restrictions resulting in lower turnouts, socially distanced photographs and mandated mask-wearing, this is the first year that Santas are able to return to the “good old days,” says Santa Tony. Scene to Believe, the Australian based events company he represents, has “ramped up” Santa services to more malls than ever in Aotearoa this year. “Our investment in the Santa industry is huge, with over 2,000 seasonal staff,” says Santa Tony. “Our goal is to deliver a magical experience to each and every customer.”

A big part of that magical experience is embodying the Santa character from the very moment he steps his big black boots out of the dressing room. “You have to act like royalty,” says Santa Tony. “Nobody’s going to see you as Tom, Dick or Harry: you are Santa.” He instructs his Santas to sit in front of a mirror and assess the energy they are projecting, before practicing welcoming poses, lifting their chest up and taking big breaths to stay relaxed. Because Santa must always be happy and jolly, and Santa must never, ever stop smiling. “Even though you can’t see your mouth, you can still tell that the Santa is happy. It’s in the eyes.” 

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Of course, what is concealing the Mona Santa smile is a big white beard, which Santa Tony says can only be washed using one method. “An old military trick” he says. “Wash it in lukewarm water, roll it up in a towel and stomp up and down on it half a dozen times. Lay that on the table or hang it out and it’ll be dry in the morning.” Much like counting the rings of a tree, you can usually tell how established a Santa is by the number of beards hanging out on the porch – “until my wife threw them all out,” laments Tony. “She didn’t think I needed them.” 

The beard is just one element of Santa’s festive kit, valued at over $1,000. Maintenance of the three-piece suit, false belly, resplendent hat, crisp white gloves and shiny boots is an essential part of Santa training. Santa Tony recommends turning the suit inside out every night and spraying it with Febreze. “I used to think that stuff was bullshit, but it works wonderfully,” he says. No alterations or drycleaning are permitted without strict supervision, and “moonlighting” at other Santa gigs with the Scene to Believe suit is a fireable offence. 

Much to think about (Photo: Alex Casey)

The morning tea break – “what do we have here?” says Santa Tony, coyly unwrapping a Marshmallow Santa – offers me a chance to get to know some of the aspiring Santas in the room. Santa Eric says he “came up on the sleigh” from Hamilton this morning. He used to be a manager in the dairy industry, but since retiring has found his dream job as Santa. “It’s the best job satisfaction I’ve ever had,” he beams. Santa Graeme, a former quarantine officer, started just two years ago. “I suppose I’m still dealing with the public quite a bit, just in a really different way.” He loves the role, and finds it fascinating how people respond to him in costume. 

“When you’ve got the Santa suit on, everyone’s looking at you. And then you go into the changing room and take it off, and nobody’s even giving you a second look.”

Across the room, Santa John has changed out of his Santa suit to reveal a tidy Ritchies Bus uniform. When he’s not Santa, he’s driving the bus for a special needs school in Auckland. “You’ve got to love children to do this and you’ve really got to love the job. Actually, it’s not a job – it’s a love. It’s a love job.” He’s been a Santa since getting the call-up from Papakura Countdown 20 years ago, and “has never looked back since.” Now a stalwart Santa at Saint Luke’s mall, Santa John still has one dream job on his Christmas list. “The pinnacle is the Farmers parade in town, that is as high as you can go as a Santa.”

“The closest I have been to that is a standby. I was all dressed up and so excited, but the guy turned up so I missed out.” Santa John is on standby again this year, but far be it from him to wish ill health on another Santa. That is not the Santa way.

Santa John holds up his favourite Santa portraits. (Photo: Alex Casey)

After morning tea, we get stuck into Santa lore. “You must develop your own repertoire of dialogue on the magic of Christmas,” says Santa Tony. “Fairies, magic dust, reindeer – we need to be able to put that across convincingly.” This includes learning the names of Santa’s reindeer, referencing the status of Mrs Claus and the elves, and having an arsenal of answers to tricky questions. How old is Santa? So old I can’t remember. How do you get down the chimney? Magic dust. How do you get in if there is no chimney? Magic dust. “Make sure you tell them the magic dust only works on Christmas Eve,” Santa Tony warns sternly. 

Later, Santa John reveals one of his favourite Santa tricks to me. “When kids say to me ‘you’re not the real Santa’ I tell them that the real Santa has a twitch in his right eye,” he whispers. Silence hangs in the air as he starts to subtly twitch his right eye.

Another genre of curly questions that Santa gets thrown are around presents and toys. Santa Tony advises the Santas to dip into their local toy store early on a Monday morning on a reconnaissance mission to brush up on the most coveted toys of the season. “Two years ago there was this thing called a Hatchimal that everyone wanted – I’ve still got no idea what that is,” he laughs. Electronics stores are also worth a visit. “Fitbits, iPads, I can’t pronounce half of them,” sighs Santa Tony. Whatever the kids ask for, the key is to not promise anything. “Don’t give them false hope, just say ‘I’ll see what I can do’.”

Santa Tony deep in Santa praxis (Photo: Alex Casey)

While kids make their Christmas wishes, the main goal of the mall Santa is to take a memorable photograph. To do this, Santa Tony advises having at least five different poses ready to go, and to not be afraid to get experimental. “I once tried lying on the floor, but the elf told me it wasn’t very good,” he recalls. “Another Santa I work with does ‘the dab’… that makes for a fantastic photograph.” When handed a sleeping baby, a classic Santa move is to pretend to be asleep too. “So you’re asleep and the baby’s asleep, and that’s another fantastic photo.”

Given that Santas haven’t had kids on their throne for the past two years, a large portion of Santa School was devoted to safety, beginning with mandatory police checks. People sometimes like to “level accusations” at Santa, so it is important to remain vigilant at all times, says Santa Tony. If children’s hair, clothing or position needs to be adjusted, a caregiver must be ushered over. Both of Santa’s white gloves must remain visible at all times. Never reach for a baby, always let the parent place the baby in the crook of your arm. Always ask for consent before putting a Santa hand on a non-Santa shoulder.

Textbook Santa photo (Photo: Supplied)

But Santas need to keep themselves safe too. “Never walk through a shopping centre on your own,” says Santa Tony, “you never know when a group of youths might want to razz you.” He shares horror stories of lewd comments and middle fingers, indecent proposals and frightening run-ins. “It’s good fun for a teenager to stir up a Santa,” he says, looking into the middle distance. “Always ring the bell to announce yourself and once again never, ever, walk alone.” Santa Eric recalls one particularly blue encounter. “I had two middle aged ladies who came up to me and said ‘I don’t want a lot for Christmas, but six inches would be good’.” 

Sometimes it’s not even people at all that Santas need to worry about. Paws with Claus photoshoots, where people bring in their pets to meet Santa, provide another set of challenges. “Someone brought in these two guinea pigs that were just two balls of fluff,” recalls Santa Graeme, “I said ‘you’ll have to tell me which way to turn them around madam because these look like slippers!’” Footwear or not, Santa Tony says it essential that all pet visitors are treated with the same enthusiasm as their human counterparts. “Treat the pets like they are children and the owners like they are parents – you must ask the pets what they want for Christmas.” 

In the middle of our session, one Santa’s phone goes off loudly with the uncensored version of Beyonce’s ‘Cuff It’. “We gon’ fuck up the night,” Queen Bey sings from beneath his leather phone case as he hastily tries to stop the music. This immediately identifies him as not-your-average-Santa, so later on I make a beeline for him to find out what his deal is. Hailing from West Auckland and working as a chef on Karangahape Road, Santa Cheyne says he decided he should embrace the fun in life after turning 50 in June. “I’ve been Zorbing and whitewater rafting you know? Life’s for living.” 

As it turns out, Beyonce is just the opening act for the most electric session during Santa school: the improv game. One by one, the Santas are asked to react to an object as if it was a Christmas card made by a small child. I watch as a room of men who would have been readily dismissed as repressed “pale stale males” gush excitedly over a tatty exercise book. “WOW, thank you SO MUCH! I’m going to show this to Mrs Claus!” bellows Santa Graeme. “You’ve made me the happiest Santa in the world!!” roars Santa John. 

An evaporated Santa (Photo: Alex Casey)

Later, Scene to Believe account manager James Bennett tells me this is what’s known as The Santa Effect. “You’d be really surprised by some people, they may be quiet and not seem confident but then they really sort of shine as Santa.” Given that Scene to Believe are still on the hunt for aspiring Santas around the country, his hope is that a wider range of people will have a go at being Santa. Because Santa doesn’t have to just be a November-December role – the company puts on a mid-year “Jingle and Mingle” event where Santas can partake in a Santa’s Got Talent competition. Last year, a ventriloquist Santa took out the top prize. 

As I prepare to leave Santa School, buzzing with stories of synthetic beards, fairy dust and Mrs Claus mishaps, I meet another Santa John, let’s call him Santa John II, grazing at the table of mini savouries. He tells me he’s been out of the Santa game for a while due to health problems, and is looking forward to getting stuck back in this year. “It’s magic. You go out there and it’s just magic. When you put the suit on, you can be whatever you want to be.” He pensively nibbles a small quiche as he tries to express his love for the Santa role. 

“There’s this quote that I love: ‘Always be yourself, but if you can be Santa, be Santa’.” 

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