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Shira Haas as Esty in Netflix’s Unorthodox. Photo: Netflix.
Shira Haas as Esty in Netflix’s Unorthodox. Photo: Netflix.

Pop CultureApril 5, 2020

Emily Writes: Netflix’s Unorthodox is the uplifting television we need right now

Shira Haas as Esty in Netflix’s Unorthodox. Photo: Netflix.
Shira Haas as Esty in Netflix’s Unorthodox. Photo: Netflix.

Netflix’s four-part series Unorthodox traces a woman’s escape from a Hasidic Jewish community in Brooklyn. Emily Writes considers the lessons we can all learn from her journey.

There was a moment watching Netflix’s miniseries Unorthodox when I felt like I was actually in Berlin, where much of the show is set. I felt hope and fear, as if I was actually on a journey alongside Unorthodox’s brilliant, complex and heart wrenching protagonist Esty. If that isn’t escapism I don’t know what is. And has there ever been a time when we need escapism more than now?

Unorthodox tells the story of Esther ‘Esty’ Shapiro (Shira Haas). Married as a child, she lives in the specific kind of prison that is a fundamentalist religious community. Hers is an ultra-orthodox Hasidic Jewish community in Williamsburg, Brooklyn, but her story feels true to what we know of young women escaping from fundamentalist Christian groups – like New Zealand’s own Gloriavale or Mormon polygamist sects in US – and from honour killings and slavery sanctioned by religion.

Esty’s story is that of so many women trying to find their own way against almost insurmountable odds. It’s the story of the iron grip religious groups have on young girls, how they chain them with marriage, babies, and abuse.

Yet Unorthodox does what many shows about religious abuse cannot do. It unflinchingly shows the misogyny of belief handed down by men, while also showing the dignity of religious women. It shows the beauty and community in religion as truthfully as it shows the pain religion can inflict on the women who devote their lives to it.

The Hasidic community Esty lives in has similarities to religious communities all over the world. There is song, dancing, love, and a history that separates the community from others in a way that even the most close-minded viewer will understand. There are treasured rituals and traditions that have survived against all odds, despite fears that they’d be lost to the horrors of the Holocaust forever.

One of those rituals is depicted in Unorthodox: Esty’s wedding to her husband Yanky. It’s a scene that is beautiful, visceral and surreal all at the same time, lifting a veil on a world none of us will likely see with our own eyes. A scene set in a mikvah, a pool of water used for purifying rituals, is the same: so painfully private that you don’t want to watch – but can’t look away.

Esty is the TV alter ego of Deborah Feldman, the author of the 2012 memoir Unorthodox: The Scandalous Rejection of My Hasidic Roots. Like Esty, she was married at 17, pregnant at 19. The book details her escape from the Hasidic Satmar group in Williamsburg, Brooklyn, and Unorthodox, the miniseries, is loosely based on her experiences.

Shira Haas stars as Esty in Netflix’s Unorthodox. Photo: Netflix.

Israeli actor Shira Haas is luminous as Esty. It’s almost painful to witness the innocence and bravery that lights up her face as she flashes between child and adult and back again. She could be any young woman seeking freedom, any young woman wanting to find a true life beyond the brutal control of others.

Amit Rahav is infuriating and heartbreaking in equal measure as her husband Yanky, imprisoned by the community in a similar way to Esty, but protected by his place as a man. His cousin Moishe (Jeff Wilbusch), tasked with retrieving Esty and returning her to the community at any cost, is a chilling character, but far more complex than your average one dimensional muscle. Everyone has something to lose; everyone has already lost.

Unorthodox is a testament to the power of the human spirit and to the power of women. It does something that we need right now – it takes us out of our homes and into the world. It encourages us to uplift ourselves, to open our hearts, at a time when our world is getting smaller and smaller until it is the size of a single room.

Esty is an example of hope, and of courage. The courage to continue on into a future that is not known. The courage to have faith in others – that they will care for you, will look out for you, will hold space for you and be there if you fall.

At a time when we are forced to put our trust in others, to cling to what we know, Unorthodox has something to teach us. Esty has something to teach us.

We’re just lucky that most of us will learn her lessons from the comfort of our own homes, and not through enduring it ourselves.

Unorthodox is streaming on Netflix now.

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Encourage your teen to pick up their guitar and get inspired to write (Photo: Getty Images)
Encourage your teen to pick up their guitar and get inspired to write (Photo: Getty Images)

Covid-19April 5, 2020

The value of songwriting in a quiet world

Encourage your teen to pick up their guitar and get inspired to write (Photo: Getty Images)
Encourage your teen to pick up their guitar and get inspired to write (Photo: Getty Images)

Being stuck inside all day might be wearing you and your kids down, but there’s never been a better time to encourage them to pick up their musical instrument and get stuck into writing songs. Mike Chunn from Play It Strange explains how. 

Mums and dads and households with teenage children. New Zealand is full of them. And they are finding it all very quiet right now.

The spinning wheels of that domestic environment have been under the brake recently. While the reason behind it is serious, the national quietude in our households also represents something of an opportunity.

Our passion for sporting and fitness pursuits finds homes in gerrymandered gyms, runs and bike rides and old All Blacks games on TV. But what about the mind? Is there a better time than right now to focus on an imaginative pursuit like playing a musical instrument, writing a short story or painting a watercolour?

As for our teenagers, a lot of them will know how to play a musical instrument. Many may be looking at the family piano. The piano stares back, its black and white keys wait patiently for something to happen. You can almost hear it calling out for some action. 

“PLAY ME!”

Our teenagers should be writing songs. 

Songwriting requires striding over a threshold of confidence. It’s looking at the world and writing words that sum up in colour and metaphor what is happening out there, or in the mind. Weaving through those words is the mystery of music. We all know how they fit together because every living New Zealander has heard thousands of songs in their life, many of which they hold dear until their dying day.

It seems to me, here in the Play It Strange world of secondary school songwriting competitions across New Zealand, that the parents of young songwriters find that craft to be one that borders on impossible. It’s not. It just needs to begin. 

During my days at Sacred Heart College, some time ago, Tim Finn, my brother Geoffrey and I gave it a shot. We recorded five originals (sorry but they are under lock and key) and found that songwriting is an evolutionary process. You start out in an exciting, naive fashion. Would you want to post on YouTube a video of you playing in your first game of rugby? Your debut cricket match aged eight? The first time you tried shot-put and it landed on your foot? No. Same with songwriting. You begin, finish a song, move onto the next.

The opportunity to explore, concoct, reflect, imagine, proclaim, invent, and summarise the world you live in – it’s all there to be had. The words that can be drawn on; they are in a teenager’s head just waiting patiently to be put in an engaging order. And then the excitement of music, all those notes are there too. They are waiting their turn to be played.

Songwriting is a unique and vibrant activity and right now young New Zealanders are isolated and have time on their hands. Let’s encourage them to fire up their imaginations and write songs. 

Five songwriting tips for beginners:

1. It’s important that the song you write answers three questions. Keep them pinned to the wall as you tell your story: Who is talking? To whom? And why?

2. You’re going to need a chord structure. Try finding the sheet music to a song you love (I recommend musicnotes.com), then turn it upside down and play the chords backwards. Easy – there’s a chord structure. Make adjustments as you see fit.

3. Use metaphors. My brother Geoffrey wrote a song where the first line goes: “Like rust in my car, you hold the thing together.” I reckon that’s a lot better then if he’d written: “Our relationship is shabby despite your trying to make it good.” Metaphors are crucial.

4. Seek feedback, and not just from your family and best friends. If you have a music teacher, email it to them and ask what they think. Act on their responses.

5. Take five songs you love and analyse everything about them. What is it that makes them special? Draw on what you discover. Be a sponge.

And there you are – you’re away!