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Clarke Gayford and Jacinda Ardern  at the Prime Minister premiere in Park City, Utah. Photo by Arturo Holmes/Getty Images
Clarke Gayford and Jacinda Ardern at the Prime Minister premiere in Park City, Utah. Photo by Arturo Holmes/Getty Images

PoliticsJanuary 28, 2025

What the critics are saying about the Jacinda Ardern film that just premiered at Sundance

Clarke Gayford and Jacinda Ardern  at the Prime Minister premiere in Park City, Utah. Photo by Arturo Holmes/Getty Images
Clarke Gayford and Jacinda Ardern at the Prime Minister premiere in Park City, Utah. Photo by Arturo Holmes/Getty Images

The first reviews of the documentary Prime Minister are in.  

Since her valedictory speech in April 2023, Jacinda Ardern has sought largely to stay out of the spotlight. In 2025, however, she’ll be back in the headlines – or bookshops and cinemas, at least. 

Last week, Ardern announced that her memoir, A Different Kind of Power, will be published in June. And two documentaries also have the former prime minister at their centre. One of those, supported by the Film Commission, is slated for an August release. The other, which by contrast has Ardern’s involvement and implicit endorsement – her husband Clarke Gayford is credited as both a producer and a director of photography, and contributes plenty of family footage to the project – is currently playing at the Sundance Film Festival. 

The film, titled Prime Minister, is part of the World Cinema Documentary Competition at the Utah event, and Ardern is among those attending the festival. What are the reviewers saying so far?

Writing for IndieWire, Harrison Richlin awards a “B” grade to the film. Directors Michelle Walshe and Lindsey Utz had presented “a compelling what-if to Americans now dealing with another four years under a ruthless tyrant by showcasing the capable leadership and everyday life of former New Zealand PM Jacinda Ardern during her six-year term, as well as where she is today post-resignation,” he writes. “The documentary acts as an intimate study of what it means to serve others when it seems like the world is falling apart and to be a partner and mother at the same time.”

For all that, it ultimately “feels like a film that would’ve had more impact if released a year ago, but today reads as a tragic depiction of yet another experienced, thoughtful woman whose determination to do good, both by her family and the country she represents, is steam-rolled by the horror and bigotry other individuals wish to bring on the world”, he says.

Caryn James puts it differently, writing in her review for The Hollywood Reporter that the release is “timelier than anyone might have expected. It would be a bit of an exaggeration, but just a bit, to say it trolls Donald Trump. It’s no accident that it includes deliberate, pointed contrasts that position Ardern as the American leader’s exact opposite in their approaches and objectives.”

James commends the filmmakers’ ability to “juggle the personal and political”, but adds one reservation: the coverage of her resignation as prime minister is “both compelling and too partial”. She concludes: “But even with its omissions and glossiness – a typical side effect of insider access – Prime Minister’s portrait of Ardern is so persuasive it might make you wish you could vote for her.”

IndieWire’s Richin offers a similar critique. “Though it’s not featured as part of the narrative, in resigning as PM, Ardern opened the door for Labour to suffer a landslide defeat in the next election, marring her own legacy for the sake of her mental health and as a response to those who stood in opposition to her,” he says. “As she packs her office sporting a Portishead T-shirt and reveling in the presence of her now fiancé and their daughter, we can see her joy slowly start to flow back in, forcing us to wonder if any good person can actually govern in a world where politics have become seemingly ruled by those who are loudest and most out for themselves.”

Amber Wilkinson of Screen Daily is impressed by “an eye-opening insider perspective that comes as a reminder of what conviction politics looks like when it is maintained even under extreme pressure, as well as being a celebration of feminism”. Prime Minister, “as much about the person as the position she held”, she writes, “might just restore some of your own faith in politicians”.

“Intimate but simplistic”, is the headline in another trade staple, Variety. “Gayford’s proximity is a double-edged sword, one the rest of the production also wields, in terms of its limited political approach,” writes Siddhant Adlakha. “However, as a portrait of struggles in the seat of power, the film presses all the right emotional buttons.” 

He concludes: Prime Minister may verge on hagiographic in its telling, but as a tale of political mythmaking – and a young woman in a world of right-wing strongmen – it’s greatly assisted by its intimate documents of Ardern. Since these are captured by her closest confidant and biggest supporter, they come with all the flaws and flourishes that living in a leader’s proximity provides.” 

As for Ardern’s personal assessment, in a Q&A session at the Sundance festival on Sunday, she said: “I saw the final cut of the film yesterday. I cried through most of it, and I’m not sure if that’s equivalent to laughing at your own jokes. I was very emotional watching it. I credit the storytellers for it. I hoped that the film would humanise politicians, those who are public servants, and leadership, but I never thought it would humanise me. When I watched it, I just saw myself as someone who was trying to do their best.”

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Chris Luxon opposing a new housing development in 2020 (Image: Joel MacManus)
Chris Luxon opposing a new housing development in 2020 (Image: Joel MacManus)

OPINIONPoliticsJanuary 28, 2025

Windbag: Luxon’s culture of saying no to housing

Chris Luxon opposing a new housing development in 2020 (Image: Joel MacManus)
Chris Luxon opposing a new housing development in 2020 (Image: Joel MacManus)

The prime minister says New Zealand has a culture of saying no to growth. When it comes to housing, he’s part of the problem.

Windbag is The Spinoff’s Wellington issues column, written by Wellington editor Joel MacManus. It’s made possible thanks to the support of The Spinoff Members.

“There’s always a reason to say no, but if we keep saying no, we’ll keep going nowhere,” prime minister Chris Luxon declared in his state of the nation speech on Thursday. “The bottom line is we need a lot less no and a lot more yes.”

His speech painted an aspirational vision for New Zealand, where major industries are turbocharged with greater development, competition and overseas investment. You’d be hard-pressed to find anyone, regardless of their political leaning, who thinks New Zealand doesn’t have a problem with growth. His central diagnosis of the problem is that well-intentioned regulations have morphed into barriers that stymie investment. As Luxon put it, “Too often, when it comes to economic growth, we’ve slipped into a culture of saying no. It’s always easy for someone to find a reason to get in the way and find a problem – but we need to shift our mindset and embrace growth.”

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Luxon highlighted two specific examples: the Port of Tauranga, which has spent years battling for planning permission to expand, and concerts at Eden Park, which remain restricted by council rules. In both cases, local residents and groups have raised concerns about noise, health and quality of life. While these concerns are understandable, Luxon argued, the impacts are small and localised, vastly outweighed by the broader economic benefits that would flow to all New Zealanders.

For an example of just how pervasive this “culture of saying no” has become, consider the Quarterdeck complex. A developer, Box Property, purchased a disused service station in Cockle Bay, Auckland, and planned to transform it into a modern townhouse complex with 70 homes in buildings ranging from two to four storeys. It would have stimulated economic growth by providing much-needed housing in east Auckland and added more customers for local businesses. The construction itself would have created 177 full-time equivalent jobs over two years.

The proposed Quarterdeck complex (Image: Supplied)

It was exactly the kind of economic growth opportunity Luxon extolled in his speech. But the Cockle Bay Residents and Ratepayers Association said no. They raised concerns about too many cars parking on the street, so the developer included 102 basement car parks. Then, residents worried about increased traffic. Later, the residents’ group shifted their argument to suggest (with little evidence) that the pipes wouldn’t be able to handle wastewater from another 70 homes.

The local MP joined the residents’ association in opposing the development, launching a campaign to block it. For him, it was a nostalgic cause; he had attended primary school just across the road from the derelict service station. “I remember this place really well,” he said in a Facebook video from 2020, warning residents of developers who wanted to “plonk multi-unit dwellings” in their neighbourhood. “There are other parts of Auckland that make sense for us to put higher-density dwellings into… this is an area that should always stay a single-dwelling zone”. He praised the residents’ association for their anti-growth stance, declaring, “They’ve been doing a great job fighting back on this. They deserve a medal.”

That MP’s name, in case you hadn’t already guessed, was Christopher Mark Luxon.

In 2024, the Environment Court declined fast-track consent for the Quarterdeck development. Today, the site at 30 Sandspit Road, Cockle Bay remains a vacant service station, fenced off with chicken wire. An investor sought to inject significant funds into the Cockle Bay community, but New Zealand’s culture of saying no made it impossible.

The vacant service station on Sandspit Road (Image: Google Maps)

This same story has played out countless times across the country. Instead of welcoming property developments as investments in their communities, residents’ associations treat them as invasions threatening the local character. They often make the same argument that Luxon did – that other areas are better suited to development, and their neighbourhood should remain untouched. The problem is that when every neighbourhood says this, new homes don’t get built anywhere.

This is happening right now in Wellington with the Mayfair development in Mount Victoria, where some residents argue a new seven-storey apartment block will ruin the area’s character. In this instance, however, the opposition is unlikely to succeed, thanks to critical policy reforms that have challenged the culture of saying no to new housing. These include the new Wellington District Plan, the Auckland Unitary Plan, and the National Policy Statement on Urban Development.

The most significant policy change of all was the Medium Density Residential Standards – a bipartisan agreement between National and Labour allowing three-storey townhouses on most residential land by default, without requiring developers to seek complex planning permission or fight with local community groups. It was a world-leading response to the housing crisis, but it collapsed in 2023 when National withdrew from the deal. Why? Because of a decision by the party’s new leader, Christopher Luxon.

It’s a hard thing for a politician to admit they were wrong, but Luxon should consider listening to his own words: “It’s always easy for someone to find a reason to get in the way and find a problem – but we need to shift our mindset and embrace growth.”

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