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Other guy, Zendaya and Prince Charles in Challengers (Image: MGM, additional design: Anna Rawhiti-Connell)
Other guy, Zendaya and Prince Charles in Challengers (Image: MGM, additional design: Anna Rawhiti-Connell)

OPINIONPop CultureMay 9, 2024

Please let me watch the horny tennis movie at a reasonable time

Other guy, Zendaya and Prince Charles in Challengers (Image: MGM, additional design: Anna Rawhiti-Connell)
Other guy, Zendaya and Prince Charles in Challengers (Image: MGM, additional design: Anna Rawhiti-Connell)

One woman’s quest to watch Challengers without ruining her body clock.

Every Saturday morning, I wake up with a screaming demon inside my head urging me to “Do. Something. This. Weekend.” I run through the possibilities in my head in a defensive mental crouch, reminiscent of that one time I was attacked by magpies in the school gully as a kid.  

People often worry about having something to say about their weekend at work on Monday. With the exception of a phase where I lied about going kayaking, I don’t worry about this. Online, doing nothing is now a scheduled activity called “rotting.” It has an aesthetic that includes a pastel or beige Stanley cup, beige blankets, a Gua Sha stone, candles, and a slicked-back ponytail. It is suspiciously corporate and sanctioned but apparently completely fine. 

When doing nothing is allowed as long as it is colour-coordinated, my concern about “doing something with my weekend” now comes from the more existential suspicion that I am wasting my finite free time, scrolling my life away watching other people rot while everyone else absorbs powerful cultural knowledge or increases their life expectancy by going hiking.

I usually start Saturdays by doing what I tell my husband is “a little relaxing”. It involves scrolling my life away watching Reels. Ads for Scrub Daddies and their posse of wives, the Scrub Mommies, prompt thoughts about cleaning the oven. I have a pact with a friend that means that can be put off. If I die first, she will clean my oven in case the mourners want to heat sausage rolls in it.

Scrolling on, a woman yells at me about getting fifty-fucken-grams of protein out of a sandwich, and I ponder prepping a week’s worth of egg muffins and meatballs. That can be left until Monday when I have truly accepted the inevitability of the week into my heart.

Zendaya then glows at me from my screen, resplendent in yet another outfit described by my favourite fashion bloggers as “tennis drag”. Of all my achievements in April, training my algorithm to make sure I see every single thing from the Challengers press tour might be my crowning glory. 

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Anna Rawhiti-Connell
— Senior writer

“WE WILL GO TO THE MOVIES”, I announce. We will see Challengers. That will be our something. The plan is always to go on a Sunday, to an afternoon or early evening session. That’s before the adult witching hour of 7pm on a Sunday night, and after the time you’re saving up to do a fictional something else. I regularly announce this plan on Saturday mornings because it ticks so many “do something” boxes, including the one that says “flake out on this plan”.

For the last two weekends, I have searched for movie times and found a great hole where I swear a five or six o’clock spot on a Saturday or Sunday used to be. Most options to see Challengers for last Sunday were late lunch times and then between 8 and 9pm. I don’t want to step out into the sun after watching a film which, along with Saltburn, is being credited with bringing eroticism back to the cinema, but I can’t start watching a movie at 9pm on Sunday because it is illegal in the great state of my body clock. Others have whispered to me, embarrassed, that they are also struggling to find times to see movies that aren’t the adult equivalent of 3am. I am further convinced that I am not alone in my hunt for the early bird special, based on the sucking in of air through teeth heard around the office when someone says they have tickets for something that starts at 9.30pm.

Let me see as Zendaya sees (Image: MGM)

I actually don’t know a lot about Challengers despite knowing Zendaya wore archival Louis Vuitton to promote the film in Paris. I sometimes still like to kid myself that films can be watched free of the online hype that accompanies them. I know it is a movie about a tennis love triangle starring Zendaya, the guy who played Prince Charles in The Crown, and another guy. It is directed by the man responsible for I Am Love, Luca Guadagnino. All these things seem like good reasons to see the movie. Combined, these things surely make me part of the imagined audience for this film. Combined, these things surely warrant a Sunday 6pm movie session for me and others like me.

Along with being yelled at about protein intake, age seems to come with these self-imposed hard limits that didn’t exist five years ago: there are certain times when things can happen, and there are times they can not. Going to a movie at 6pm on a Sunday is something that can happen. Going to a movie at 9pm on a Sunday is something that can not. 9pm is for sleeping and fear. It is an embarrassing admission, but it’s real. Seeing a zeitgeist film becomes more urgent when faced with such sad realities.

I raised the question of where the early evening movie times had gone with colleagues. One colleague sensibly suggested it’s because it’s an indie film and, therefore, won’t have as many screening times as something like Fall Guy. Maybe I would have known this if I had been less dazzled by Zendaya’s Ralph Lauren and the love triangles and more regularly attentive to other details like what it is about and who has directed it. Maybe I would understand more about the laws of movie scheduling and supply and demand if Zendaya hadn’t skewered tennis balls on the spikey heels of her shoes and knocked me sideways for two days, wondering whether this was good or bad fashion. 

Who, though, is going to the movies at 9pm on a Sunday night? Don’t they have the same rigid rules about time I do? Did I imagine an era where most films had earlier screening times that weren’t lunchtime?  Truthfully, in writing this, I am both plaintively crying into the wind about the lack of early evening movie times, hoping it might find sympathetic ears, and also hunting for the people going to the movies at 9pm on a Sunday night so I may learn their secrets and “get a life”.

A life where my cultural knowledge can be filled by something other than 50 videos of Zendaya wearing things to promote a horny tennis film. A life that involves finally finding out what Challengers is actually about. A life where the magpie demons nagging me to do something can be flipped off with a plan to see a film on a Sunday night.

Keep going!
Design: Tina Tiller/Tara Ward
Design: Tina Tiller/Tara Ward

Pop CultureMay 7, 2024

A ‘blistering’ ‘tour de force’: Australia loves After the Party too

Design: Tina Tiller/Tara Ward
Design: Tina Tiller/Tara Ward

International audiences are starting to discover what New Zealand already knew about After the Party.

When After the Party aired in New Zealand last year, the response was fast and furious. In his preview for Rec Room, Duncan Greive said it was a “gritty, wrenching and highly confronting” series. By the end of the season, we called it “the best TV drama we’ve ever made”. Everyone seemed to be watching it at the same time, a rare feat in a world of non-stop streaming, with audiences gripped by the devastating fallout that takes place after Wellington teacher Penny (an incredible Robyn Malcolm) accuses her husband Phil (Peter Mullan) of a sex crime.

Now the rest of the world is also discovering how good After the Party is. Last month, Robyn Malcolm won a best actress award at the Séries Mania Film Festival in France, the first time a New Zealand television entry had been considered at the festival. Shortly afterwards, esteemed entertainment magazine Variety called Malcolm’s character Penny one of “TV’s most beloved anti-heroines”, comparing her to iconic characters like Kate Winslet’s Mare from Mare of Easttown and Frances McDormand’s Olive Kitteridge. 

Australia also fell for After the Party when it screened on ABC at the end of last month. Co-creators Malcolm and Dianne Taylor told The Spinoff they were unsure about how the show would be received, with executive producer Helen Bowden revealing that she’s often frustrated by the lack of interest in New Zealand movies, TV, books and art across the ditch. Having seen French audiences respond with such enthusiasm at Séries Mania, the trio hoped Australians would connect with the series too. 

Malcolm in a scene from After the Party (Photo: TVNZ)

And connect with it, they did. After the Party has garnered glowing praise in every Australian review, and Malcolm, Taylor and Bowden are astonished at the overwhelmingly positive response. “People are loving it,” Bowden says. “As a Kiwi living in Australia, and producing TV here for 30 years, getting such a passionate response to my first New Zealand show is an absolute thrill. The numbers already tell us that it is going to be huge over here.”

The series has resonated with Australian audiences just as strongly as it did in New Zealand. “The thing that’s blown me away is how much people just want to talk about it,” Taylor says. “The week-by-week episode drop on TVNZ helped build the conversation here, while in Australia all the eps went up online at once, but it’s having the same effect; one reviewer called it a ‘water-cooler’ drama, which I love.”

Plus, “no accent jokes in sight!” Malcolm reckons. “We truly didn’t expect it.”

Peter Mullen and Malcolm in After the Party (Photo: TVNZ)

At a time when New Zealand stories on screen are under threat, here’s exactly what the Australians have been saying about After the Party. 

The Guardian (⭐⭐⭐⭐): ‘This great performance ranks among the best television portrayals in years, from anywhere in the world.’

After the Party was executed with a “white knuckle intensity” that swept viewers away, according to this rave review. “No one impresses more than Malcolm, who really gets under your skin and pinches you from the inside,” The Guardian’s Luke Buckmaster wrote. “The anguish she feels for being alone in her beliefs makes her increasingly desperate; watching Malcolm illustrate her reach and reach and reach is exhilaratingly painful.”

It ends with this absolute banger: “It’s no overstatement to say that this great performance ranks among the best television portrayals in years, from anywhere in the world.” 

Sydney Morning Herald (⭐⭐⭐⭐⭐): ‘Malcolm is astonishing’

“There are no heroes in this complex tale, and each episode throws up more doubt and questions,” reviewer Kylie Northover wrote, noting how rare it is to see a “ballsy-middle aged woman” on our screen. “Malcolm is astonishing as a woman determined to seek justice, even as her behaviour affects her job and starts to alienate her closest friends and her own family. It’s disappointing that her portrayal of a complicated middle-aged woman often seen without make-up or styled hair, remains noteworthy; not since Kate Winslet in Mare of Easttown has someone in a TV series looked so … real.”

TV Tonight (⭐⭐⭐⭐1/2): ‘An uncomfortable but utterly compelling ride’

Malcolm’s “tour de force performance” is compared to Sarah Lancashire’s Catherine Cawood from Happy Valley in this TV Tonight review, while her co-star Peter Mullan also is recognised with fierce praise. “In Robyn Malcolm Penny is a firebrand central character who performs with searing conviction, superbly matched by Peter Mullan who goes toe-to-toe in riveting feuds. You could watch it for this alone and be satisfied,” they write.

Mediaweek (⭐⭐⭐⭐⭐): ‘One of the best dramas of the year’

Mediaweek’s review notes that Malcolm is no stranger to Australian screens, but that New Zealand dramas have always been “treated with contempt by Aussie programmers”. After the Party appears to have changed all that. “This is one of the best dramas of the year — 5 stars”.

Screenhub (⭐⭐⭐⭐): ‘Australian drama could learn a thing or two’

In a review that made everyone in Summer Bay sit up straight, Screenhub noted that New Zealand TV content has surpassed early “sub-par” expectations and is now outshining Australian efforts. “Smartly observed, sharply told, and with a brace of convincing performances, it’s a family drama wrapped around a mystery, telling a story that’s satisfying on both levels. Australian drama could learn a thing or two.”

After the Party streams on TVNZ+. It will screen on Channel 4 in the UK later this year.